Excerpt: ...stuffy smell of feathers. A woman sat in the window as Joan entered. She had her back to the door, and not hearing the footfall, went on with her work, which was the plucking of a fowl. A cloth lay spread over the floor at her feet, and each moment the pile of feathers upon it increased as the plucker worked with rhythmic regularity and sang to herself the while. Mary Chirgwin was a dark, good-looking girl, with a face in which strong character appeared too prominently shadowed to leave room for absolute beauty. But her features were regular if swarthy; her eyes were splendid, and her brow, from which black hair was smoothly and plainly parted away, rose broad and low. There was nothing to mark kinship between the cousins save that both held their heads finely and possessed something of the same distinction of carriage. Mary was eight-and-twenty, and, whatever might be thought about her face, there could be but one opinion upon her feminine splendor of figure. Her broad chest produced a strange speaking and singing voice-mellow as Joan's, but far deeper in the notes. Mary gloried in congregational melodies, and those who had not before heard her efforts at church on Sundays would often mistake her voice for a man's. She was dressed in print with a big apron overall; and her sleeves, turned up to her elbows, showed a pair of fine arms, perfect as to shape, but brown of color as the woman's face. Joan stood motionless, then her cousin looked round suddenly and started almost out of her chair at a sight so unexpected. But she composed herself again instantly, put down the semi-naked fowl and came forward. They had not seen each other since the time when Joe Noy flung over Mary for Joan; and the latter, remembering this circumstance very well, had hoped she might escape from meeting her cousin until after some talk with Uncle Thomas. But Mary hid her emotion from Joan's sight, and they shook hands and looked into one another's faces, each noting marked...