This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1917 Excerpt: ...locks, the same number on each side, are brought forward upon the breast. As usual, too, the front hair is disposed symmetrically; in this case, a smaller and a larger flat curl on each side of the middle of the forehead are succeeded by a continuous tress of hair arranged in five scallops. If, as has been generally thought, this statue belongs on an inscribed pedestal which was found near it, then we have before us the work of one Archermus of Chios, known to us from literary tradition as the first sculptor to represent Victory with wings. At all events, this, if a Victory, is the earliest that we know. She awakens our interest, less for what she is in herself than because she is the forerunner of the magnificent Victories of developed Greek art. Thus far we have not met a single work to which it is possible to assign a precise date. We have now the satisfaction of finding a chronological landmark in our path. This is afforded by some fragments of sculpture belonging to the old Temple of Artemis at Ephesus. The date of this temple is approximately fixed by the statement of Herodotus (I., 92) that most of its columns were presented by Crcesus, king of Lydia, whose reign lasted from 560 to 546 B. C. In the course of the excavations carried on for the British Museum upon the site of Ephesus there were brought to light, in 1872 and 1874, a few fragments of this sixth century edifice. Even some letters of Crcesus's dedicatory inscription have been found on the bases of the Ionic columns, affording a welcome confirmation to the testimony of Herodotus. It appears that the columns, or some of them, were treated in a very exceptional fashion, the lowest drums being adorned with relief-sculptu re. The British Museum authorities have partially restored one such drum ...