This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1902. Excerpt: ... CHAPTER XIV. THE RESIDUUM. ND what a residuum I have mentioned above what seem to me on the whole the most important objects in Florence for a visitor whose time is limited to see; but I do not by any means intend to imply that the list is exhaustive. On the contrary, I have not yet alluded to two groups of objects of the highest interest, which ought, on purely aesthetic grounds, to rank in the first order among the sights of Florence--the Medici Tombs, by Michael Angelo, in the New Sacristy at San Lorenzo; and the famous Frescoes of the Brancacci Chapel, by Masolino, Masaccio, and Filippino Lippi. For I believe it is best for the tourist to delay visiting them till he has assimilated the objects already described; and I hasten now to fill up the deficiency. A visit should be undertaken to San Lorenzo and the Medici Tombs together. Go first to the church, and afterward to the Sacristy. Set out by the Cathedral and the Via Cavour. Turn to the left, by the Medici (Riccardi) Palace, down the Via Gori. Diagonally opposite it, in the little Piazza, is the church of San Lorenzo, the facade unfinished. Recollect that this is the Medici church, close to the Medici palace, and that it is dedicated to the Medici saint, Lorenzo or Lawrence, patron of the Magnificent. In origin, this is one of the oldest churches in Florence (founded 390, consecrated by St. Ambrose 393); but it was burned down in 1423, and reelected by Lorenzo the elder after designs by Brunelleschi. In form, it is a basilica with flat-covered nave and vaulted aisles, ended by a transept. Note the architrave over the columns, supporting the arches. The inner facade is by Michael Angelo. Walk straight up the nave to the two pulpits, to right and left, by Donatello and his pupils. The right pulpit ha...