Syncopations - The Stress of Innovation in Contemporary American Poetry (Hardcover, New)


Makes a case for innovation as the generative and thematic force in American poetry of the late 20th century. Syncopations is an analysis of the sustaining vitality behind contemporary American poetry from 1975 to the present day by one of the most astute observers and critics in the field. The 12 essays reflect Jed Rasula's nearly 30 years of advocacy on behalf of opening the field of American poetry. From the Beats and the Black Mountain poets in the 1950s and 1960s to the impact of language poetry, the specter of an avant-garde has haunted the administrative centers of poetic conservatism. But the very concept of avant-garde is misleading, implying organized assault. Incentives for change can be traced to other factors, including the increased participation of women, critical theory's self-reflection, and a growing interest in the book as a unit of composition. Syncopations addresses these and other issues evident in the work of such poets and critics as Clayton Eshleman, Marjorie Perloff, Ronald Johnson, Clark Coolidge, Nathaniel Mackey, and Robin Blaser. Its chapters range in modes and include close readings, sociological analysis, philosophical-aesthetic meditations, and career appraisals. By examining both exemplary innovators and the social context in which innovation is either resisted, acclaimed, or taken for granted, Rasula delivers an important conceptual chronicle of the promise of American poetry. Jed Rasula is Helen S. Lanier Distinguished Professor of English at the University of Georgia and author of The American Poetry Wax Museum: Reality Effects, 1940-1990.

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Makes a case for innovation as the generative and thematic force in American poetry of the late 20th century. Syncopations is an analysis of the sustaining vitality behind contemporary American poetry from 1975 to the present day by one of the most astute observers and critics in the field. The 12 essays reflect Jed Rasula's nearly 30 years of advocacy on behalf of opening the field of American poetry. From the Beats and the Black Mountain poets in the 1950s and 1960s to the impact of language poetry, the specter of an avant-garde has haunted the administrative centers of poetic conservatism. But the very concept of avant-garde is misleading, implying organized assault. Incentives for change can be traced to other factors, including the increased participation of women, critical theory's self-reflection, and a growing interest in the book as a unit of composition. Syncopations addresses these and other issues evident in the work of such poets and critics as Clayton Eshleman, Marjorie Perloff, Ronald Johnson, Clark Coolidge, Nathaniel Mackey, and Robin Blaser. Its chapters range in modes and include close readings, sociological analysis, philosophical-aesthetic meditations, and career appraisals. By examining both exemplary innovators and the social context in which innovation is either resisted, acclaimed, or taken for granted, Rasula delivers an important conceptual chronicle of the promise of American poetry. Jed Rasula is Helen S. Lanier Distinguished Professor of English at the University of Georgia and author of The American Poetry Wax Museum: Reality Effects, 1940-1990.

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Product Details

General

Imprint

The University of Alabama Press

Country of origin

United States

Series

Modern & Contemporary Poetics

Release date

May 2004

Availability

Supplier out of stock. If you add this item to your wish list we will let you know when it becomes available.

First published

May 2004

Authors

Dimensions

229 x 152 x 29mm (L x W x T)

Format

Hardcover

Pages

296

Edition

New

ISBN-13

978-0-8173-1302-9

Barcode

9780817313029

Categories

LSN

0-8173-1302-8



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