Greek Tragedy in the Light of Vase Paintings (Paperback)


This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1898 edition. Excerpt: ...counterparts of each other. The altars likewise and the Apollo figures have much in common. Most important of all is the fact that in both pictures the chief persons are denoted by inscriptions. It should be observed further that both vases are of the same style, amphoras with volute handles, and both were found in Ruvo. These facts lead me to believe that one and the same artist may have been the painter of both works. He leaves accordingly for Delphi. The messenger comes in after a song by the chorus and relates what has taken place. Orestes had gone round putting the Delphians on their guard against this Neoptolemos whose plan was to sack the temple. Credence was at once given to the fabrication, and the inhabitants determined upon a bold step. When Neoptolemos was at the altar addressing the god, the band of armed Delphians who were lying in wait for him behind the sacred laurel-tree sprang out and fell upon him. This furnishes the setting for our painting, and we may turn for a little to a closer examination of the account given by the poet. It will be noticed that the artist, while in some respects keeping close to the latter, has in the main done his work rather independently. Common to both are the Satpyq (v. 1115) and the /so/jos(vs. 1123 and 113K). The attacking party in the painting includes Orestes, thus emphasizing the point which Euripides really had in mind. In this particular the artist has gone ahead of the poet. It appears, indeed, as though Orestes had just made the slash in Neoptolemos' side. The moment represented is, therefore, that when the fight was on. The Delphians appear to have but one representative, who is certainly creating far less annoyance for Neoptolemos than does the company in Euripides, where they...

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This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1898 edition. Excerpt: ...counterparts of each other. The altars likewise and the Apollo figures have much in common. Most important of all is the fact that in both pictures the chief persons are denoted by inscriptions. It should be observed further that both vases are of the same style, amphoras with volute handles, and both were found in Ruvo. These facts lead me to believe that one and the same artist may have been the painter of both works. He leaves accordingly for Delphi. The messenger comes in after a song by the chorus and relates what has taken place. Orestes had gone round putting the Delphians on their guard against this Neoptolemos whose plan was to sack the temple. Credence was at once given to the fabrication, and the inhabitants determined upon a bold step. When Neoptolemos was at the altar addressing the god, the band of armed Delphians who were lying in wait for him behind the sacred laurel-tree sprang out and fell upon him. This furnishes the setting for our painting, and we may turn for a little to a closer examination of the account given by the poet. It will be noticed that the artist, while in some respects keeping close to the latter, has in the main done his work rather independently. Common to both are the Satpyq (v. 1115) and the /so/jos(vs. 1123 and 113K). The attacking party in the painting includes Orestes, thus emphasizing the point which Euripides really had in mind. In this particular the artist has gone ahead of the poet. It appears, indeed, as though Orestes had just made the slash in Neoptolemos' side. The moment represented is, therefore, that when the fight was on. The Delphians appear to have but one representative, who is certainly creating far less annoyance for Neoptolemos than does the company in Euripides, where they...

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Product Details

General

Imprint

Rarebooksclub.com

Country of origin

United States

Release date

October 2012

Availability

Supplier out of stock. If you add this item to your wish list we will let you know when it becomes available.

First published

October 2012

Authors

Dimensions

246 x 189 x 3mm (L x W x T)

Format

Paperback - Trade

Pages

50

ISBN-13

978-1-152-93494-8

Barcode

9781152934948

Categories

LSN

1-152-93494-5



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