This volume offers a comprehensive critical study of Samuel
Beckett's first and most renowned dramatic work, Waiting for Godot,
which has become one of the most frequently discussed, and
influential plays in the history of the theatre. Lawrence Graver
discusses the play's background and provides a detailed analysis of
its originality and distinction as a landmark of modern theatrical
art. He reviews some of the differences between Beckett's original
French version and his English translation, and discusses the
liberating influence of Waiting for Godot on such important
playwrights as Harold Pinter and Tom Stoppard.
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