This is the first book-length study to examine the Elizabethan and
Jacobean children's drama from a musicological perspective. THe
evidence presented here gives the cheldren's companies new
historical significance. It shows that the children's companies
were an integral and ultimately influential part of the London
theatrical world. They originated important features of later
drama, such as music before and between acts, and the exploitation
of different timbres for specific effects.
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