Art and Economy in Home Decoration (Paperback)

This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1908 edition. Excerpt: ...homes curtains that suggest the modern trend of thought would be out of harmony with their surroundings. If a parlor is furnished in Empire style, what could be more incongruous than hangings of coarse canvas, ornamented with art-nouveau designs? The curtains must be in harmony in tone and design with the Empire period, and would need to be made of rich-looking materials, overtopped with the fitted valance ornamented with Empire designs. Georgian and French styles must be treated with the same restraint, if the rooms are to be faithfully carried out in any one period, and the curtains must conform to the general style of the room. In going into houses of well-to-do people, it is surprising to find that draperies that have been made by reliable firms have lost their shape and sag. This should not happen, and would not if sufficient care had been taken when the curtains were made. When they are laid out on the cutting table the interlining must be sewed or basted to the material, so that when in place the curtains keep their shape. Sometimes the bastings are caught only here and there, and after a while they give way: the result is a sagging, lumpy-looking curtain. If the curtains had been made properly in the beginning this trouble would have been avoided. The draperies of a room should always harmonize with the walls, but should be stronger and richer in tone. Hanging in soft, straight folds, they soften the hard lines and add much to the beauty and dignity of a well-planned room. In providing portieres for a double door, the portiere can be made by lining or sewing two separate materials so as to form one curtain. The curtain itself will look well, but either one side or the other of the opening will show a blank space of woodwork; also when the...