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Making Copies in European Art 1400-1600 - Shifting Tastes, Modes of Transmission, and Changing Contexts (Hardcover)

Making Copies in European Art 1400-1600 comprises sixteen essays that explore the form and function, manner and meaning of copies after Renaissance works of art. The authors construe copying as a method of exchange based in the theory and practice of imitation, and they investigate the artistic techniques that enabled and facilitated the production of copies. They also ask what patrons and collectors wanted from a copy, which characteristics of an artwork were considered copyable, and where and how copies were stored, studied, displayed, and circulated. Making Copies in European Art, in addition to studying many unfamiliar pictures, incorporates previously unpublished documentary materials.
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Product Description

Making Copies in European Art 1400-1600 comprises sixteen essays that explore the form and function, manner and meaning of copies after Renaissance works of art. The authors construe copying as a method of exchange based in the theory and practice of imitation, and they investigate the artistic techniques that enabled and facilitated the production of copies. They also ask what patrons and collectors wanted from a copy, which characteristics of an artwork were considered copyable, and where and how copies were stored, studied, displayed, and circulated. Making Copies in European Art, in addition to studying many unfamiliar pictures, incorporates previously unpublished documentary materials.

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Product Details

General

Imprint

Brill

Country of origin

Netherlands

Series

Brill's Studies in Intellectual History / Brill's Studies on Art, Art History, and Intellectual History, 286/30

Release date

December 2018

Availability

Expected to ship within 18 - 22 working days

First published

2018

Volume editors

Dimensions

235 x 155mm (L x W)

Format

Hardcover

Pages

518

ISBN-13

978-90-04-36089-1

Barcode

9789004360891

Categories

LSN

90-04-36089-1

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