Despite their rich tradition, the Carmina Anacreontea transmitted
in the Palatine Anthology have received little scholarly attention.
This neglect is linked to questions concerning their authenticity.
Long read as poems by the ancient lyricist Anacreon, they are now
regarded instead as imitations of Anacreontic lyricism. This volume
presents the latest findings on the language, poetology, tradition,
and reception of this lyrical collection.
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