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The Defence of Tradition in Brazilian Popular Music - Politics, Culture and the Creation of Musica Popular Brasileira (Electronic book text, New edition)
The Defence of Tradition in Brazilian Popular Music - Politics, Culture and the Creation of Musica Popular Brasileira...

The Defence of Tradition in Brazilian Popular Music - Politics, Culture and the Creation of Musica Popular Brasileira (Electronic book text, New edition)

Sean Stroud; Series edited by Derek B. Scott, Stan Hawkins

Series: Ashgate Popular and Folk Music Series

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Sean Stroud examines how and why Musica Popular Brasileira (MPB) has come to have such a high status, and why the musical tradition (including MPB) within Brazil has been defended with such vigour for so long. He emphasizes the importance of musical nationalism as an underlying ideology to discussions about Brazilian popular music since the 1920s, and the key debate on so-called 'cultural invasion' in Brazil. The roles of those responsible for the construction of the idea of MPB are examined in detail. Stroud analyses the increasingly close relationship that has developed between television and popular music in Brazil with particular reference to the post-1972 televised song festivals. He goes on to consider the impact of the Brazilian record industry in the light of theories of cultural imperialism and globalization and also evaluates governmental intervention relating to popular music in the 1970s. The importance of folklore and tradition in popular music that is present in both Mario de Andrade and Marcus Pereira's efforts to 'musically map' Brazil is clearly emphasized. Stroud contrasts these two projects with Hermano Vianna and Itau Cultural's similar ventures at the end of the twentieth century that took a totally different view of musical 'authenticity' and tradition. Stroud concludes that the defence of musical traditions in Brazil is inextricably bound up with nationalistic sentiments and a desire to protect and preserve. MPB is the musical expression of the Brazilian middle class and has traditionally acted as a cultural icon because it is associated with notions of 'quality' by certain sectors of the media.

General

Imprint: Ashgate Publishing Limited
Country of origin: United Kingdom
Series: Ashgate Popular and Folk Music Series
Release date: June 2008
Authors: Sean Stroud
Series editors: Derek B. Scott • Stan Hawkins
Dimensions: 234 x 156mm (L x W)
Format: Electronic book text
Pages: 222
Edition: New edition
ISBN-13: 978-0-7546-8356-8
Categories: Books > Arts & Architecture > Music
Books > Arts & Architecture > Music > Contemporary popular music
Books > Arts & Architecture > Music > Contemporary popular music > Rock & pop
Books > Arts & Architecture > Music > Contemporary popular music > Rock & pop > General
Books > Music > Contemporary popular music > Rock & pop
Books > Music > Contemporary popular music > Rock & pop > General
LSN: 0-7546-8356-7
Barcode: 9780754683568

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