Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 34. Chapters: Classical music in South Africa, Mbaqanga, South African hip hop, South African jazz, Kwaito, Mahotella Queens, Township music, Damian Stephens, Mahlathini and the Mahotella Queens, Makgona Tsohle Band, Counting Headz: South Afrika's Sistaz in Hip Hop, Cape jazz, Isicathamiya, National Youth Jazz Festival, The Indestructible Beat of Soweto, Anton Nel, Hilda Tloubatla, Marabi, Nobesuthu Mbadu, Kwela, Mbube, Mildred Mangxola, Pioneer Unit Records, Ben Sharpa, Bambata, Maskanda, West Nkosi, Zulu music, Boeremusiek, Ethnic Swazi music, Tswana music, Xhosa music, Mirabi, Indlamu. Excerpt: Kwaito is a music genre that emerged in Johannesburg, South Africa, during the 1990s. It is a variant of house music featuring the use of African sounds and samples. Typically at a slower tempo range than other styles of house music, Kwaito often contains catchy melodic and percussive loop samples, deep bass lines, and vocals. Although bearing similarities to hip hop music, a distinctive feature of Kwaito is the manner in which the lyrics are sung, rapped and shouted. American producer Diplo has described Kwaito as "slowed-down garage music," most popular among the black youth of South Africa. The word kwaito is an Isicamtho term from the Gauteng townships and encompasses styles that range from guz, d'gong, and isgubhu to swaito. The word originates from the Afrikaans kwaai, which traditionally means strict or angry, although in more common and contemporary use the word is a loose translation of the English term cool. Kwaito led a post-Apartheid township subculture into the mainstream. Despite the fact that the Afrikaans language is associated with the apartheid regime and racial oppression, Afrikaans words are often drawn into the Isicamtho vocabulary, reshaped and used in a related or new context. M'du Masilela, a pioneering Kwaito a...