Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 24. Chapters: Martin Codax, Francisco Lopez, Xohan de Cangas, Angel Sanzo, Eduardo Rodriguez Rodway, Antonio Flores, Juan Bautista Cabanilles, Angel Romero, Inaki Egana, Los Ninos de Sara, Manolo Sanlucar, Claudio Martinez Mehner, Eva Amaral, Nacho Canut, Cristina Pato, Juan Aguirre, Nino Josele, Conchita, Hevia, Josep Prades i Gallent, Pedro Caparros Lopez, Pablo Sainz Villegas, Peret, Mariana Gurkova, Paco Cepero, El Meswy, Esteban Sanchez, Julian Arcas, Joaquin Cardiel, La Chunga, Jaime Martin, Carmen Amaya, El Lebrijano, Mai Meneses, Enrique Urquijo, Vincente Gomez, El Guincho, Inma Shara, Alvaro Urquijo, Benito Cabrera, El Koala, Joaquin Soriano, Juan Manen, Gabriel Estarellas, Carles Cases, Celin Romero, Luis Maravilla, Felix Lavilla, Juan Blas de Castro, Juan Sese y Balaguer, Pablo Bruna, Rafael Riqueni, Eduardo Niebla, Moraito Chico II, Javier Corcobado, Manuel Penella, Primitivo Lazaro, Leopoldo Querol, Oscar Herrero, Curro Savoy, Marianna Prjevalskaya, Jesus Gonzalez Alonso, Juan d'Anyelica, Flores Chaviano, Lucas Macias Navarro, Miguel Ituarte, Opcio k-95, Luisa Menarguez, Diego Xaraba, Gecko Turner, G. B. Lulier, Miguel Borrego. Excerpt: Martin Codax (Galician: ) or Martim Codax (Portuguese: ) was a Galician medieval jogral (non-noble composer and performer -- as opposed to a trobador), possibly from Vigo, Galicia in present day Spain. He may have been active during the middle of the thirteenth century, judging from scriptological analysis (Monteagudo 2008). He is one of only two out of a total of 88 authors of cantigas d'amigo who uses only the archaic strophic form aaB (a rhymed distich followed by a refrain). And he also employs an archaic rhyme-system whereby i o / a o are used in alternating strophes. In addition Martin Codax consistently deploys a strict parallelistic technique known as leixa-pren (see the examp...