This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1829 edition. Excerpt: ...the theatre, where the audience was now nearly as much divided as the kingdom by the contending factions. Settle had produced the tragedy of "Pope Joan," Shadwell the comedy of the "Lancasbire Witches," to expose to hatred and ridicule the religion of the successor to the crown. Otway and D'Urfey, Crowne and Southerne, names unequal in fame, vied in producing plays against the Whigs, which might counterbalance the elfect oi these popular dramas. A licence similar to that of Aristophanes was introduced on the English stage; and living personages were exhibited under very slight disguises. " In the prologues and epilogues, which then served as a sort of moral to the plays, ' the veil, thin as it was, was completely rsised, and the political analogies pointed lI In " Venice Preserved," the character of the foolish senator Antonio, now judiciously omitted in the representation, was said to be meant for Shaftesbury. But Crowne's " City Politics." contained the most barefaced exhibition of all the popular leaders, including Shaftesbury, College the Protestant joiner, Titus Oates, and Sir William Jones. The last is described under the character of Bartoline, with the same lisping imperfect enunciation which distinguished the original. Let us remark, however, to the honour of Charles II., thatin "Sir Courtly Nice," another comedy which Crowne, by his express command, imitated from the Spanish, the furious Tory is ridiculed in the character of Hothead, as well as the fanatical Whig under that of Testimony. 196. ' H out to such of the audience asmight otherwise have been too dull to apprehend them. In this sharp though petty war, 'Dryden bore a considerable...