This close media study considers how, squeezed in the moral vice of
past and present, Afrikaners look in a mirror that reflects only a
It is an image of upstanding, hard-working
citizens. To hold on to that image requires blinkers, sleights of
hand and contortion. Above all, it requires an inversion of the
liberation narrative in which the wretched of South Africa are the
historical oppressors, besieged in their language, their homes,
They are the new `grievables', an identity that
requires intricate moral manoeuvres, and elision as much of the
past as of transformation.
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