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Before he turned white, and still had a nose, before scandalous kiddie sex charges and weird marriages, before money woes and widely televised humiliations, Michael Jackson was the world's most exciting show-biz legend. In this expose by celebrity biographer Darwin Porter, Blood Moon presents the first-ever complete saga of an incredible American life--the good times, the very bad times, the desperate attempt to stay on top, and the international aftermath of those lawsuits when everything, including Neverland, came crashing down. Even his loudest detractors admit that they love his music. This candid bio takes you behind closed doors to explore the star-studded, bizarre world of America's most maligned superstar. This title was nominated as a finalist by Foreword Magazine for Best Biography of 2007, and it was a Runner-Up for Book of the Year from the Hollywood Book Festival. As cited by London's Guardian & Observer, Don't Stop till you get enough. Darwin Porter's biography of Jacko isn't easy to put down. It's dangerously addictive.
Hollywood's Silent Closet provides a banquet of information about the pansexual intrigues of Hollywood between 1919 and 1926, compiled from eyewitness interviews with men and women, all of them insiders, who flourished in its midst. Not for the timid, it names names and doesn't spare the guilty. If you believe, like Truman Capote, that the literary treatment of gossip will become the literature of the 21st century, then you will love Hollywood's Silent Closet. Hollywood's Silent Closet is a vivid portrait of the decadent, homosexual, and gossipy world of pre-talkie Hollywood. It's an Info-Novel where 90% of everything in it is true. It represents the greatest collection of star-studded scandal ever assembled on the film stars of Hollywood's Silent Era. Valentino, Ramon Novarro, Charlie Chaplin, Fatty Arbuckle, Pola Negri, Nazimova, and many others figure into eyewitness accounts of the debauched excesses that went on behind closed doors. It also documents the often tragic endings of America's first screen idols, some of whom admitted to being more famous than the monarchs of England and Jesus Christ combined. Many of the interviews that went into the compilation of this book were conducted between 1940 and 1974, as the subjects were nearing the end of their lives and were willing, at last, to reveal scandals and insights that had previously been repressed by their own fears and by the media machines of the studio system. Marriages of convenience are the norm as intra-male peccadillos (and lots of lesbian love, too) are swept under the potted palms of the Edwardian age. The hero of this tale is the amiably cross-dressing Durango Jones, a wide-eyed neophyte from Kansas, circa 1919, who hits Hollywood during its Pre-Code excesses, and stays for a sexual feast wherein the banquet consists of many of the era's most flamboyant sex symbols. And although technically, this title has been formatted as a novel rather than a straight-line biography, there's the sometimes disturbing sense that this book is genuinely historical as well as being a jolly and rollicking piece of very savvy entertainment. This is high-testosterone Hollywood at its most compulsively readable. The 60s didn't invent sex-the stars of the Silent Screen did. Cruiser. Who slept with Mary Pickford's three husbands, her two brothers-in-law, and even her brother? The hero of Hollywood's Silent Closet, that's who Trova Roma.
Born in Central Europe during the twilight of the Austro-Hungarian Empire, three vonderful vimmen Zsa Zsa, Eva, and Magda Gabor transferred their glittery dreams and gold-digging ambitions to Hollywood. They supplemented America s most Imperial Age with guts, glamour, and goulash, and reigned there as the Hungarian equivalents of Helen of Troy, Madame du Barry, and Madame de Pompadour. More effectively than any army, these Bombshells from Budapest conquered kings, dukes, and princes, always with a special passion for millionaires, as they amassed fortunes, broke hearts, and amused sophisticated voyeurs on two continents. With their wit, charm, and beauty, thanks to training inspired by the glittering traditions of the Imperial Habsburgs, they became famous for being famous. We sold the New World high-priced goods from the Old World that it didn t need, but bought anyway, Zsa Zsa said. In time, they would collectively entrap some 20 husbands and seduce perhaps 500 other men as well, many plucked directly from the pages of Who s Who in the World. At long last, Blood Moon lifts the mink-and-diamond curtain on this amazing trio of blood-related sisters, whose complicated intrigues have never been fully explored before. Orson Welles asserted, The world will never see the likes of the Gabor sisters again. From the villas of Cannes to the mansions of Bel Air, they were the centerpiece of countless boudoirs. They were also the most notorious mantraps since Eve. I can personally vouch for that.
New, unique and ballsy, Blood Moon's Guide to Gay and Lesbian Film is the most comprehensive and entertaining guidebook of its kind, an annually updated guidebook to the previous year's crop of GLBT films. More than 200 gay and lesbian films, each of them a recent release, are reviewed by filmmakers who hail from places as diverse as the US, Canada, the UK, France, Norway, India, Singapore, Hong Kong, Thailand and Taiwan. Of enduring value to film historians, libraries and filmgoers everywhere, it's also loaded with photos of actors and directors.
On the campus of Yale University, in 1970, an "odd couple," Hillary Rodham and Bill ("Bubba") Clinton, came together at a Mark Rothko exhibit at the Yale Art Museum. Before the end of that rainy afternoon, they had formed an unbreakable bond forged while they rested on the seat of a Henry Moore sculpture. They were from completely different worlds-he, a populist from a poverty-stricken background in Arkansas; she, a former "Goldwater Girl" and conservative Republican gradually moving into the liberal camp. As he sat beside her, holding her hand, she gazed into the eyes of this 210-pound, orange-bearded "Viking," tall and scruffy looking, with an Elvis drawl. He'd later jokingly claim, "I identified with Elvis since both of us had hillbilly peckers." Freshly emerged from Wellesley College, with its "coven of lesbians," she was a budding feminist-pimply faced, wearing no makeup but with Mr. Magoo eyeglasses, and walking around on chubby legs. He had all the pretty women he wanted. What he was looking for was a woman with a "sense of strength and self-possession-all in all, that afternoon, I knew I'd found my Evita." He confided to her that since the age of seven, he had only one abiding ambition-and that was to be the President of the United States. He promised her, "If elected, I will pave the way for you to become the first woman president. You can follow after my administration." He held out the prospect of making her the most powerful woman on the planet. As she recalled, "I was giddy with emotion." It took a while, but he finally lured her to Arkansas, which she interpreted as "on the other side of the moon." Crossing the welcome mat at his Scully Street house, she came face to face with her future mother-in-law, Virginia Cassidy Blyth, Clinton, Dwire, Kelley. She stood in the kitchen in her stiletto heels evocative of a drag revue, wearing garish lipstick-"the brighter the better"-and a tight "Dinah Dors" sweater. As Virginia recalled, "It was an immovable object colliding with an irresistible force. I extended my hand to this Chicago carpetbagger with coke bottle glasses." "I'm going to marry this gal," Bubba announced. "She's going to become the First Lady of Arkansas." In the days ahead, Hillary was introduced to other members of this "white trash family" known for its divorces, violence, alcoholism, drug addiction, adultery, and promiscuity. He told her, "I'm a bastard. My father, William Jefferson Blythe, III, had not divorced his wife when he married mama. I took the last name of another husband, Roger Clinton." Before the end of the first day of her inaugural meeting with Hillary, Virginia warned her, "Put a lock on your lingerie. Otherwise, you'll find Bill dressing up in your finery after midnight." Their trail to the White House began in Arkansas, with Hillary helping direct her sex-crazed Bubba into the governor's seat. "With my back-up, he pursued his dream while I was also chasing a dream of my own. Women can dream harder than any man-in fact, being what they are, I don't understand why women don't turn lesbian." Through the tides of the wars to come, both Hillary and Bill learned that love was a creature of many faces, with ever-changing rules and compromises on the road to their horizon. Often threatening divorce, she remained at his side, interpreting his affairs as minor annoyances. On their stormy seas, they sailed through triumph and tragedy, setbacks and comebacks, the good years and the bad ones, bimbo eruptions, serial infidelities, near bankruptcy with crippling legal bills, impeachment, the stockpiling of post-Presidential millions, and surviving vitriolic scorn that rivaled that of Dr. Goebbels against the Jews. They faced maddening failures and stunning achievements, their love and loyalty enduring through hurricane winds. She was at his side as the sex-crazed Arkansas Bubba became the notorious "Slick Willie," eventually morphing into "The 21st Century's Greatest Living Elder Statesman." Hillary herself began her own road to the White House (actually, she had already been there for eight years as First Lady), with stints as a Senator from New York, a failed presidential candidate, and a globe-trotting Secretary of State. She also became one of the country's leading Democratic visionaries, admired by millions. Of course, that provoked Apocalyptic attacks from her enemies, Senator Mitch McConnell, Senior Republican Senator from Kentucky, trumpeting, "If given power in 2016, she'll lead us to the Gates of Hell." One night on Martha's Vineyard, Hillary had a candid talk with a former First Lady, Jackie Kennedy Onassis. "Bill is a charismatic politician, but also deeply flawed. He has such charm you can always forgive him." "I know of such men," Jackie said, no doubt recalling her own years with another charismatic president. "You had Marilyn Monroe to compete with. I have a lesser light-Sharon Stone. Bill was hopelessly gone when she crossed her legs in Basic Instinct." ***Hundreds of tantalizing anecdotes fill this book from a writing team already famous for its exposes of both the Kennedys and the Reagans. As Hillary stares into her uncertain future, she claims, "Before the arrival of the Grim Reaper, Bill and I will change history...for the better, of course." So This Is That Thing Called Love is not a treatise about politics. It's a love story probing the boundaries of a relationship between two people who are committed to each other despite the vagaries of life, come what may. What a ride it's already been, with more "Second Coming Headlines" looming in the years ahead. There will definitely be a second act for this pair. As a critic who despises Hillary, but only in private, First Lady Michelle Obama said, "Hillary's story won't be over until the Fat Lady sings."
A juicy saga of a film icon's early love affairs, revealing what really lay under the trench coat of history's most famous movie star. This is a radical expansion of one of Darwin Porter's earlier Bogart biographies, incorporating a wider timeline - in this case, the years between Bogart's birth in 1899 until his marriage to Lauren Bacall in 1944. This revelatory book is based on dusty, unpublished memoirs, letters, diaries and personal interviews from the women and the men who adored him, as well as shocking allegations from those who didn't.
Debbie Reynolds and Carrie Fisher were the greatest mother-daughter act in show business. Born in a shanty in El Paso, Texas, Debbie, a Texas tomboy, endured a life of poverty--jackrabbit every night for dinner--until she moved to California. Blossoming into a young beauty, she won the title of Miss Burbank, which led to a movie contract. Stardom came relatively quickly when she was cast as the minty fresh ing nue in Singin' in the Rain (1952), hailed as the greatest Hollywood musical of all time. Frank Sinatra stole her virginity, but she married pop singer Eddie Fisher for the "official deflowering" (her words). "Debbie and Eddie," the darling of fan magazines, reigned as "America's Sweethearts." The fairytale ended when his best friend, producer Mike Todd, died in a plane crash. Fisher rushed to the side of his widow, the violet-eyed screen vamp, Elizabeth Taylor. He descended from Maggie the Cat's Hot Tin Roof into her boudoir. His divorce from Debbie and his subsequent marriage to her best friend provided fodder for the scandal magazines until the day Elizabeth provoked another scandal, divorcing him to marry Richard Burton. Through storm and rain, Debbie battled on, hitting a high point when she starred as Tammy in 1957, cast as the granddaughter of a Louisiana moonshiner, spouting pithy wisdom. "I'll be singing my hit song on stage for the rest of my years." Her most memorable role was in 1964, when she was cast in the rags-to riches saga of The Unsinkable Molly Brown. (She even survived the sinking of the Titanic.) The role brought her an Oscar nomination. Each of her three marriages was a disaster, the second one to a millionaire shoe manufacturing mogul who bankrupted both of them. Impoverished after the divorce, she ended up sleeping in her car. Debbie mingled with the lite of Hollywood in the dying days of its Golden Age. Luminaries included Clark Gable ("if I were only twenty years younger....); Judy Garland (who propositioned her); Lana Turner; Bette Davis ("she was my daughter"); Katharine Hepburn; Spencer Tracy; Lucille Ball; and Glenn Ford, who fell in love with her. Mass murderer Charles Manson sent her love letters; Liberace wanted her to enter into a "lavender marriage" with him, and James Dean "forced himself onto me" when she was up for the role of his girlfriend in Rebel Without a Cause. "I turned down Warren Beatty," Debbie claimed, "and didn't even go for the handsome Gary Cooper, although he told me women called him 'The Montana Mule.' Bob Hope, a compulsive womanizer, also had to look elsewhere." A rebellious daughter, Carrie grew up to endure a life of living hell--pill popping, drug abuse, chronic anxiety, failed love affairs, bipolar disorder, and electroshock therapy. Carrie sometimes protested: "I don't want to be the daughter of Debbie Reynolds. I battled demons that set my brain on fire." International celebrity came in 1977, when she played Princess Leia in Star Wars as an elaborately coiffed intergalactic princess, spearheading "The Force," and strong enough to oppose the villainy of Darth Vader. She became the fantasy of teenage boys and sci-fi freaks. A love affair with the married Harrison Ford faded into a marriage to singer Paul Simon as they crossed a Bridge Over Troubled Waters. A final marriage to a Hollywood agent ended when he decided he needed not a wife, but a husband for himself. The princess turned writer in a series of autobiographical books praised for their lacerating insights into human frailty and awash with bubble and bounce, sprinkled with bons mots, an adroit verbal acrobat with words. The New York Times defined her as "one of the rare inhabitants of La-La Land who can actually write." In Carrie's writings, Debbie often didn't come out too well, depicted as a "casually narcissistic gorgon ill-suited for the real world." As her star dimmed, cooled, and faded, mother took to the bottle. Until the end, Debbie was resilient, a singing, dancing, sensation of massive talent, a button-nosed, boop-boopie-doo girl for six decades. She never lost her "Debbie-ness," strutting her stuff, emoting like a storm--everything sprinkled with the stardust of yesterday. What was her secret of perpetual youth? Carrie knew: "She drank bat's blood for breakfast and smeared bug brains on her skin." Reconciled after years of separation, Carrie and Debbie came together at the end, not able to live apart. They couldn't even die without each other. Their fans like to think they're doing fine today in some galaxy far, far away.
Midnight in Savannah is the deliberately more explicit, and more entertaining alternative to the John Berendt / Clint Eastwood Midnight in the Garden of Good and Evil. For more than a year after its appearance in 2000, it was one of the best-selling GLBT books in the Deep South. Midnight in Savannah skillfully incorporates Carson McCullers, Pamela Harriman, Libby Holman, the City of Savannah, and references to Georgia's most famous (recent) murder into one delectable whole. This book is not altogether straight, but it certainly isn't altogether gay, either. Pan-sexual and Southern might be its best description, permeated throughout with a morality that's more than a bit untidy. But considering what tends to happen after dark in Savannah, who cares?
America's most enduring and legendary symbol of young rebellion, James Dean continues into the 21st Century to capture the imagination of the world. In recognition of his enduring appeal as Hollywood's most visible symbol of unrequited male rage, bars from California to Nigeria and Patagonia are named in his honor. Dean, a strikingly handsome heart-throb, is a study in contrasts: Tough but tender; brutal at times but remarkably sensitive; a reckless hellraiser badass who could revert to a little boy in bed. From his climb from the dusty backroads of Indiana to the most formidable boudoirs of Hollywood, his saga is electrifying. He claimed that sexually, he didn't want to go through life with one hand tied behind his back. He corroborated his identity as a rampant bisexual through sexual interludes with Marilyn Monroe, Rock Hudson, Elizabeth Taylor, Paul Newman, Natalie Wood, Shelley Winters, Marlon Brando, Steve McQueen, Ursula Andress, Montgomery Clift, Pier Angeli, Tennessee Williams, Susan Strasberg, and (are you sitting down?) both Tallulah Bankhead and (as a male prostitute) FBI director J. Edgar Hoover. Woolworth heiress Barbara Hutton wanted to make him her toy boy. Tomorrow Never Comes, the newest in Blood Moon's critically acclaimed Babylon Series, is the most penetrating look at James Dean to have emerged from the wreckage of his Porsche Spyder in 1955. He flirted with Death until it caught him. Ironically, he said, "If a man can live after he dies, then maybe he's a great man." Before setting out on his last ride, he also said, "I feel life too intensely to bear living it." Tomorrow Never Comes is published in recognition of the 60th anniversary of his early death. It presents a damaged but beautiful soul, and the embarrassing and sometimes lurid compromises James Dean made on his road to "success" before his demons grabbed him.
Of all the male stars of Golden Age Hollywood, Kirk Douglas became the final survivor, the last icon of a fabled era that the world will never see again. When he celebrated his birthday in 2016, a headline read--LEGENDARY HOLLYWOOD HORNDOG TURNS 100. He was both a charismatic actor and a man of uncommon force and vigor. His restless and volcanic spirit is reflected both in his films and through his many sexual conquests. Douglas was the son of Russian-Jewish immigrants, his father a ragman. After service in the Navy during World War II, he hit Hollywood, oozing masculinity and charm. Conquering Tinseltown and bedding its leading ladies, he became the personification of the American dream, moving from obscurity and (literally) rags to riches and major-league fame. The Who's Who cast of characters roaring through his life featured not only a daunting list of Hollywood goddesses, but the town's most colossal male talents and egos, too. They included his kindred hellraiser and best buddy Burt Lancaster, John Wayne, Henry Fonda, Billy Wilder, Laurence Olivier, Rock Hudson, and a future U.S. President, Ronald Reagan. Douglas began his conquests in New York, stealing the virginity of model Betty Bacall before she moved to Hollywood, changed her name to Lauren, and married Humphrey Bogart. Later, both Marilyn Monroe and Lana Turner pursued him for boudoir duty. "I had them all...well, almost," he boasted. He interpreted Joan Crawford as "the equivalent of six sisters and a mother." Rita Hayworth "had what other girls had...only more so." Marlene Dietrich was "the personification of sexuality," and Ava Gardner was "the hottest game in town." "Barbara Stanwyck may have had a lezzie streak, but not with me. Call her a tigress. Over the decades, he immortalized himself in film after film, delivering, like a Trojan, one memorable performance after another. He was at home in film noir, as a western gunslinger, as an adventurer (in both ancient and modern sagas), as a juggler, as Tennessee Williams' "gentleman caller," as a Greek super-hero in Ulysses, and as roguish sailor in the Jules Verne yarn, 20,000 Leagues Under the Sea, exploring the mysteries of the ocean's depths. En route to his status as a myth and legend, his performances reflected both his personal pain and the brutalization of the characters he played, too. In Champion (1949), he was beaten to a fatal bloody pulp. As the sleazy, heartless reporter in Ace in the Hole (1951), he was stabbed with a knife in his gut. As Van Gogh in Lust for Life (1956), he writhed in emotional agony and unrequited love before slicing off his ear with a razor. His World War I movie, Paths of Glory (1957) grows more profound over the years. He lost an eye in The Vikings (1958), and, as the Thracian slave leading a revolt against Roman legions in Spartacus (1960), he was nailed to a cross. All of this is brought out, with photos, in this remarkable testimonial to the last hero of Hollywood's cinematic and swashbuckling Golden Age, an inspiring testimonial to the values and core beliefs of an America that's Gone with the Wind, yet lovingly remembered as a time when it, in many ways, was truly great.
Most of the world remembers Ronald Reagan and Nancy (Davis) Reagan as geriatric figures in the White House in the 1980s. And it remembers Jane Wyman as the fierce empress, Angela Channing, in the decade's hit TV series, Falcon Crest. But long before that, two young wannabee stars, Ronald Reagan and Jane Wyman, had arrived as untested hopefuls in Hollywood. Each of them separately stormed Warner Brothers, looking for movie stardom and loveand finding both beyond their wildest dreams. They were followed, in time, by Nancy Davis, who began her career posing for cheesecake in a failed attempt by the studio to turn her into a sex symbol. In their memoirs, Ronald and Nancy (Jane didn't write one) paid scant attention to their wild and wonderful years" in Hollywood. To provide that missing link in their lives, Blood Moon's Love Triangle explores in depth the trio's passions, fury, betrayal, loves won and lost, and the conflicts and rivalries they generated. A liberal New Deal Democrat, Reagan quickly became a handsome leading man in B" pictures and a babe magnet," as studio mogul Jack Warner defined him, a swordsman like our resident Don Juan, Errol Flynn." Reagan himself admitted he developed Leading Lady-itis" even for stars he didn't appear with. He launched a bevy of affairs with such glamorous icons as Lana Turner, Betty Grable and Susan Hayward, even a too young Elizabeth Taylor." He eventually married Jane, but he was not faithful to her, enjoying back alley affairs with the likes of The Oomph Girl," Ann Sheridan. Jane, too, had her affairs on the side, notably with Lew Ayres (Ginger Rogers' ex) while filming her Oscar-winning Johnny Belinda. After dumping Reagan, Jane launched a series of affairs herself, battling Joan Crawford (for Hollywood's most studly and newsworthy attorney, Greg Bautzer), and Marilyn Monroe (for bandleader Fred Karger, divorcing him, marrying him again, and finally divorcing him for good.) Reagan's oldest son, Michael (adopted), later said, If Nancy knew that one day she would be First Lady, she would have cleaned up her act." He was referring to her notorious days as a starlet in the late 1940s and early 50s, when the grapevine had it that: her phone number was passed around a lot." The list of her intimate involvements is long, including Clark Gable, whom she wanted to marry; Spencer Tracy; Yul Brynner; Frank Sinatra; Marlon Brando; Milton Berle; Peter Lawford; Robert Walker; et al. Love Triangle, a proud and presidential addition to Blood Moon's Babylon series, digs deep into what these three young movie stars were up to decades before two of them took over the Free World. In 2015, this one-of-a-kind triple biography was designated Runner-up to BEST BIOGRAPHY OF THE YEAR at the 2015 Hollywood Book Festival
Rock Hudson reigned in the late 1950s and early '60s as Hollywood's greatest ambisexual swordsman," seducing icons who included Marilyn Monroe, Elizabeth Taylor, Errol Flynn, Tyrone Power, Joan Crawford, and Lauren Bacall, as well as hundreds of other lesser-known players willing to share some Pillow Talk." Mamie Van Doren, one of Hollywood's bustiest, most provocative, and most promiscuous bombshells, asserted loudly that the boulder that Rock's agent named him after was a big one." Just released from the Navy, the muscled, 6'4" hunk, then known as Roy Fitzgerald, arrived in Hollywood with a clear understanding of what he wanted: I don't want to be an actor...I want to be a movie star! And I don't give a damn how many casting couches I have to lie on!" To that end, between gigs as a truck driver, he donned very tight, faded jeans and seductively stationed himself near the entrances of such studios as Warners and Universal. Eventually, he was discovered." Eventually, he was assigned roles in a string of B-pictures, playing handsome Apaches, easy-on-the-eyes sea captains, and drop-dead gorgeous Ordinary Joes" whose charm moviegoers remembered way beyond the limited scale of his roles. Meanwhile, power players in Hollywood clamored for him up close and personal, too. According to Yvonne de Carlo, Rock was predatory after midnight." Stardom finally arrived based on a performance opposite Jane Wyman (she had divorced Ronald Reagan) in that tear-jerking melodrama, Magnificent Obsession (1954). Replicating her passion offscreen, she demanded (unsuccessfully) that he marry her. Hudson had already been defined as the sexiest man alive" when he was assigned the role of a Texas cattle rancher in Giant (1956). During its filming in the dusty hamlet of Marfa, Texas, he sustained affairs with both Elizabeth Taylor and James Dean. Three eventful years later, his status as one of the most popular (and most consistently profitable) actors in Hollywood was reinforced, based on his co-starring performance opposite Doris Day in the spectacularly successful Pillow Talk (1959). Together, as a captivating duo, they went on to appear together in other artfully campy" battles of the sexes. Compiled as a memorial for the 30th anniversary of his death, Rock Hudson Erotic Fire is based on dozens of face-to-face interviews with Rock Hudson's friends, co-conspirators, and enemies. Researched over a period of a half century by Hollywood insider Darwin Porter, it reveals the secretive actor's complete, never-before-told story within a context of scandal-soaked and historic ironies, many of which have never been fully exploreduntil now. Although maligned by the media because of the stigmas associated with his AIDS-related death, Rock showed inner courage and manly grace as he lay dying. This is my shining hour," he told his closest friends, as the media rushed to Out" him as a celebrity bisexual" who'd been stricken by the then-stigmatizing scourge. Today, beloved by hordes of cultish fans and film buffs around the world, Rock Hudson is the often misunderstood (until now) Golden Icon of a glamorous bygone era.
More of what you've come to expect from Blood Moon's ongoing series of guidebooks devoted to the previous year's production of Gay and Lesbian Films, with a completely different and expanded roster of films from those reviewed within Volume One. Blood Moon's series on GLBT film was designated as winner of a Bronze IPPY Award (2007) from the Independent Publishers Association of America, and received an Honorable Mention (2007) and a nomination for Best GLBT Nonfiction Title of the Year (2008) from Foreword Magazine. In 2008, it received an honorable mention from the Book Of The Year competition conducted annually in Los Angeles by the Hollywood Book Festival. Blood Moon's guides to GLBT film are produced by the same writing team that produces many of the widely distributed Frommer Guides to the tourist scenes of Europe and The Caribbean. The Frommer Guides are an imprint of John Wiley and Sons.
One hot summer night in 1945, three young writers came together for the first time. Each member of this pink triangle - Tennessee Williams, Gore Vidal and Truman Capote - was on the dawn of fame. They remained competitively and defiantly provocative throughout their writing careers. Initially hailed by critics, each of them would later be attacked for their contributions to literature. From the night they met emerged betrayals that evolved into the most flamboyant rivalries in literary history, and which have only been revealed in this extraordinary book.
Linda Lovelace, the star of 1972's XXX-rated film Deep Throat, is the most notorious actress of the 20th century. She married Chuck Traynor, who forced her at gunpoint into performing hardcore 'loops', confiscated her earnings from Deep Throat and pimped her out to celebrities. After a decade of assault and humiliation, Linda launched an anti-pornography movement, attracting many who renounced the porn industry. Critics claim that Lovelace's Deep Throat changed America's sexual attitudes more than anything since the 1940s; now Darwin Porter tells the story of this iconic woman
Frank Sinatra's career spanned more than half a century, earning him millions of fans. His influence on popular music in the 20th century was unsurpassed. But what exactly was this mercurial, enigmatic man really up to? In Frank Sinatra, The Boudoir Singer, celebrated celebrity biographer Darwin Porter and Danforth Prince, reveal the never-before-told stories of Ol' Blue Eyes, including the night a drunken Sinatra almost ordered the 'execution' of Elvis Presley, his long, tortuous affair with Judy Garland and the role he played as White House pimp.
After Betty Grable, but before there was Marilyn, America's penchant for popcorn blondes focused on LANA, the "ultimate movie star." She had it all: Looks to die for, money to burn, the romantic adulation of the world, and lovers who included the world's most desirable men. In her 1937 film, They Won't Forget, a 16-year-old Lana, without wearing a brassiere, walked down the street with her boobs bouncing. Censors protested, but when it was shown, America cheered and nicknamed her The Sweater Girl." From there, Lana competed with Betty Grable and Rita Hayworth as the pre-eminent pinup girl (so many men, so little time") of World War II. Horny GIs referred to her as the Girl We'd Like to Find in Every Port." From the start, her private life was marked with scandal: She aborted Mickey Rooney's baby; seduced a young John F. Kennedy; and fell for Frank Sinatra, who later caught her in bed with another love goddess, Ava Gardner. In the early 1940s, after a nationwide campaign promoting the sale of War Bonds, Carole Lombard frantically boarded a small plane headed back to Hollywood, suffering a fiery death when it crashed within 13 minutes of takeoff. The risk she took during that thunderstorm was motivated, it was said, by her obsession with rescuing her husband, Clark Gable, from the amorous clutches of Lana Turner. Tyrone Powertall, dark, photogenic, and famouseventually evolved into the greatest love of her life until the Aviator, Howard Hughes, arguably the most psychotic billionaire in the history of Hollywood, flew in to seduce both of them. Lana (aka The Ziegfeld Girl") didn't hear The Postman Always Rings Twice because she was in bed with John Garfield. Later, in search of love, she spent a Weekend at the Waldorf before moving to Green Dolphin Street and later to the notorious Peyton Place, she found it during an experiment with an Imitation of Life. Gable took her to a Honky Tonk and vowed, Somewhere I'll Find You," before their Homecoming reunion. With Ray Milland, she found A Life of Her Own before dancing to The Merry Widow waltz with sexy Fernando Lamas. Many notoriously hot menmany of them her filmmaking co-starslay in her future: Richard Burton, Sean Connery, and Errol in like Flynn." Samson (Victor Mature) was said to be Lana's Biggest Thrill." Lana rescued Peter Lawford from Elizabeth Taylor; Ricky Ricardo from Lucy; and, when not singing amore with Dean Martin, Kirk Douglas learned that she was Bad and Beautiful both on and off the screen. "The bombshell" once said, I wanted one husband and seven babies, but I got the reverseseven husbands and an only child!" She married Tarzan (Lex Barker) after his designation as The Sexiest Man in the World," but the union ended when she caught him seducing her teenaged daughter. Opinions about Lana were as varied as her changing looks. She was amoral," said MGM's CEO, Louis B. Mayer. Robert Taylor commented: She was the type of woman a guy would risk five years in jail for rape." Gloria Swanson sniffed, She wasn't even an actress...only a trollop." And Ronald Reagan--a man who later became U.S. president--asked, In what cathouse did she learn those tricks?" And then there was that embarrassing murder: Did Lana fatally stab her gangster lover, Johnny Stompanato, known for his links to the Mob? Or was the heinous act committed by her daughter, a traumatized teenager who, after time in reform school, officially outed herself as a lesbian? How did these whirlwinds of scandal affect the gal who had it all? According to Lana, I'd like to think that in some small way, I've helped to preserve the glamour and beauty and mystery of the movie industry." Never before has there been, until now, a definitive, uncensored, and comprehensive biography of "the Ultimate Movie Star," LANA TURNER. Until now.
To millions of ardent fans, Donald Trump will restore the American Dream. To his enemies, he is the country's worst nightmare-a braggart, a fraud, a false prophet, and, to the most extreme of the Evangelists, "the Anti-Christ." Whether he eventually occupies 1600 Pennsylvania Avenue or not, he remains one of the most reviled and envied men on the planet. In Blood Moon's latest release, authors Darwin Porter and Danforth Prince present the most revelatory profile of "The Donald"-uncensored, unexpurgated, and sometimes embarrassingly intimate. "Like Don Quixote, I've dreamed the Impossible Dream," proclaims Donald Trump. "That involved marrying Princess Di after her 1996 divorce from that Charles guy. Alas, it was not meant to be. But, back to reality, I'm dreaming no more when I plan to become the next President of the United States." This fast-moving expose provides an unvarnished inside look at America's most famous oversized billionaire, empire builder, and aspirant politico. Trump is presented in all his glory (or vainglory)-corporate swashbuckler, modern day Midas, master wheeler-dealer, ubiquitous TV celebrity of cult status, Reagan-era Gilded Age mojo, guru for wannabe millionaires, master of schmaltz, choreographer of "The Deal," mogul Kahuna, a gossip columnist's steak dinner, the Barnum of hot press and self-promotion, global magnate, real estate tycoon, gambling casino kingpin, the previous landlord of such controversial tenants as Liberace and Michael Jackson, and finally, a Don Juan of the boudoir. "To hell with political correctness. I call a rapist a rapist. What other politician has the cojones to tell the country the truth that Obama was born in Kenya, not Hawaii?" Political goals are not his only reasons for living. He also enjoys his favorite things-money ("piles of it"), women ("without them, there is nothing); Oreos, golf, juicy hamburgers, the James Bond movie Goldfinger, and toilet bowls made of gold. In his quest to find "the right woman," he has already bagged three beautiful wives-Ivana, Marla Maples, and Melania. Along the way, he pursued European model Carla Bruni, who later married French president Nicholas Sarkozy. Reportedly, dozens of women "threw themselves at me," including movie star Kim Basinger and pop singer Madonna. Another woman of a different stripe might enter his life: He claims that if he is nominated, he might ask Oprah Winfrey to become his vice presidential running mate. "She's popular, brilliant...a wonderful woman. And she would take half the crucial African American vote away from Hillary, the worst Secretary of State in America's history." Love him or hate him, Donald Trump has fascinated millions of Americans, inspiring legends and myths. He is also a man of mystery-"an enigma wrapped in a riddle." In a rare moment of introspection, he said, "There is something crazy hot, a phenomenon out there about me, but I'm not sure I can define it. And I'm not sure I want to."
From his reckless pursuit of love as a rich teenager to his final days as a demented fossil, Howard Hughes changed the worlds of aviation and entertainment forever. This biography reveals inside details about his destructive and usually scandalous associations with other Hollywood players. Set amid descriptions of the unimaginable changes that affected America between 1905 and 1976, this critically acclaimed biography gives an insider's perspective about what money can buy--and what it can't.
Born to a vagabond bookie working the U.K's racetracks, Peter O'Toole became "the most notorious sailor in Her Majesty's Royal Navy" and then worked as a street vendor, a paparazzo, a newsman, and a steeplejack before drifting into the London theatre. After his spectacular success in David Lean's four-hour epic, Lawrence of Arabia, he announced, "I've arrived! Ignore me at your peril!" He then went on to be nominated for seven Oscars before emerging as the Crown Prince of the British Theatre. An orgiastic hellraiser, he starred in week-long binges and sex orgies of near Biblical proportions, bedding everyone from Elizabeth Taylor to Princess Margaret, who relentlessly pursued him. Mercurial acting talent on the screen was combined with a lethal off-screen life that "would have landed most blokes in jail" (his words).
Porter began his research on screen legend Paul Newman in 1959 and continued collecting stories about Hud, Cool Hand Luke and Butch Cassidy until the day the star died. Newman was remarkably different from the public face he showed the world, and filled with contradiction - macho heterosexual, closeted bisexual, loyal companion and heartbreaking lover. Porter reveals Newman's clandestine relationships with Marilyn Monroe, Jacqui-O, Steve McQueen, Tom Cruise and Judy Garland. From pitfall to pinnacle, Porter exposes the darkest secrets in Newman's life.
Volume two of Blood Moon's Babylon series presents an even more outrageous overview of exhibitionism, sexuality and sin as filtered through 85 years of Hollywood indiscretion. This wildly enjoyable and monumentally exhaustive collection of sins, foibles, failings and sexual adventures is the ultimate guilty pleasure, including hundreds of photos that are guaranteed to raise a few eyebrows.
Out, outrageous, provocative, and proud, this comprehensive anthology and library resource reviews 500 of the best of Hollywood's output of gay, bisexual, lesbian, transgendered, and queer questioning films, with a special emphasis on how gays changed the movies we know and love. Conceived as a working guide to what viewers should stock within their DVD queues, it reviews everything from blockbusters to indie sleepers, with about a dozen special features discussing the ironies, betrayals, subterfuge, and gossip of who, what, and how it happened when the film world's closet doors slowly creaked open beginning in 1960. This award-winning book has received the following accolades: Honorable Mention (First Runner-up) from the 2010 Los Angeles Book Festival Honorable Mention (First Runner-up) from the 2010 New England Book Festival Nominated for Best GLBT Nonfiction Book of the year by the IBPA's Ben Franklin Awards Nominated as Foreword Review's 2010 Book of the Year in the category of Drama and the Performing Arts
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