All 24 episodes from the first three series of the TV drama starring Matthew Macfadyen as a detective trying to maintain the law on the streets of Whitechapel in the wake of the Jack the Ripper murders. Following the notorious killings, H Division's Detective Inspector Edmund Reid (Macfadyen), aided by the hard-boiled Sergeant Bennett Drake (Jerome Flynn) and American forensics expert Captain Homer Jackson (Adam Rothenberg), has his hands full trying to keep the streets safe from others only too willing to fill the void. Series 1 episodes are: 'I Need Light', 'In My Protection', 'The King Came Calling', 'The Good of This City', 'The Weight of One Man's Heart', 'Tournament of Shadows', 'A Man of My Company' and 'What Use Our Work?'. Series 2 episodes are: 'Pure As the Driven', 'Am I Not Monstrous?', 'Become Man', 'Dynamite and a Woman', 'Threads of Silk and Gold', 'A Stronger Loving World', 'Our Betrayal: Part One' and 'Our Betrayal: Part Two'. Series 3 episodes are: 'Whitechapel Terminus', 'The Beating of Her Wings', 'Ashes and Diamonds', 'Your Father, My Friend', 'Heavy Boots', 'The Incontrovertible Truth', 'Live Free, Live True' and 'The Peace of Edmund Reid'.

In 1964 Lucian Freud set his students at the Norwich College of Art an assignment: to paint naked self-portraits and to make them 'revealing, telling, believable... really shameless'. It was advice that the artist was often to follow himself. Visceral, unflinching and often nude, Freud's self-portraits give us an insight into the development of his style as a painter. The works provide the viewer with a constant reminder of the artist's overwhelming presence, whether he is confronting the viewer directly or only present as a shadow or in a reflection. Essays by leading authorities - including those who knew him well - explore Freud's life and work, and analyse the importance of self-portraiture in his practice and the intensity that he maintained when studying his own.

During the last forty years, South-West England has been the focus of some of the most significant work on the early modern house and household in Britain. Its remarkable wealth of vernacular buildings has been the object of much attention, while the area has also seen productive excavations of early modern household goods, shedding new light on domestic history. This collection of papers, written by many of the leading specialists in these fields, presents a number of essays summarizing the overall understanding of particular themes and places, alongside case studies which publish some of the most remarkable discoveries. They include the extraordinary survival of wall-hangings in a South Devon farm, the discovery of painted rooms in an Elizabethan town house, and a study of a table-setting mirrored on its ceiling. Also considered are forms of decoration which seem specific to particular areas of the West Country houses. Taken together, the papers offer a holistic view of the household in the early modern period. John Allan is Consultant Archaeologist to the Dean & Chapter of Exeter Cathedral; Nat Alcock is Emeritus Reader in the Department of Chemistry, University of Warwick; David Dawson is an independent archaeologist and museum and heritage consultant. Contributors: Ann Adams, Nat Alcock, John Allan, James Ayres, Stuart Blaylock, Peter Brears, Tania Manuel Casimiro, Cynthia Cramp, Christopher Green, Oliver Kent, Kate Osborne, Richard Parker, Isabel Richardson, John Schofield, Eddie Sinclair, John R.L. Thorp, Hugh Wilmott,

All 24 episodes from the first three series of the TV drama starring Matthew Macfadyen as a detective trying to maintain the law on the streets of Whitechapel in the wake of the Jack the Ripper murders. Following the notorious killings, H Division's Detective Inspector Edmund Reid (Macfadyen), aided by the hard-boiled Sergeant Bennett Drake (Jerome Flynn) and American forensics expert Captain Homer Jackson (Adam Rothenberg), has his hands full trying to keep the streets safe from others only too willing to fill the void. Series 1 episodes are: 'I Need Light', 'In My Protection', 'The King Came Calling', 'The Good of This City', 'The Weight of One Man's Heart', 'Tournament of Shadows', 'A Man of My Company' and 'What Use Our Work?'. Series 2 episodes are: 'Pure As the Driven', 'Am I Not Monstrous?', 'Become Man', 'Dynamite and a Woman', 'Threads of Silk and Gold', 'A Stronger Loving World', 'Our Betrayal: Part One' and 'Our Betrayal: Part Two'. Series 3 episodes are: 'Whitechapel Terminus', 'The Beating of Her Wings', 'Ashes and Diamonds', 'Your Father, My Friend', 'Heavy Boots', 'The Incontrovertible Truth', 'Live Free, Live True' and 'The Peace of Edmund Reid'.

Phil Grabsky directs this documentary offering insight into Chopin's life and career with performances of his works and interviews with experts. Narrated by Juliet Stevenson, the film features contributions from, among others, Daniel Barenboim, Lars Vogt, Ronald Brautigam and Leif Ove Andsnes, while the composer's letters are read by David Dawson.

Mechatronics as a discipline has an ever growing impact on engineering and engineering education as a defining approach to the design, development, and operation of an increasingly wide range of engineering systems. The increasing scope and complexity of mechatronic systems means that their design and development now involve not only the technical aspects of its core disciplines, but also aspects of organization, training, and management. Mechatronics and the Design of Intelligent Machines and Systems reflects the significant areas of development in mechatronics and focuses on the higher-level approaches needed to support the design and implementation of mechatronic systems. Throughout the book, the authors emphasize the importance of systems integration. Each chapter deals with a particular aspect of the design and development process, from the specification of the system to software design and from the human-machine interface to the requirements for safe operation and effective manufacture. Notable among this text's many features is the use of a running case study-the autonomous and robotic excavator LUCIE-to illustrate points made in various chapters. This, combined with the authors' clear prose, systematic organization, and generous use of examples and illustrations provides students with a firm understanding of mechatronics as a discipline, some of the problems encountered in its various areas, and the developing techniques used to solve those problems.

Intimate portraits from one of the most innovative figurative artists of the twentieth century and the master of painted flesh. Curated by the artist's longtime studio assistant and friend, David Dawson, this important volume features twenty major and rarely seen paintings by Lucian Freud (1922-2011). The book begins with works from 1990, when Freud began painting the performance artist Leigh Bowery: these large-scale portraits of Bowery ushered in a new sense of monumentality in the artist's oeuvre. Inspired by Bowery's impressive physique, Freud began working on a larger scale, which emphasized the physical presence of his subjects. Despite their grand scale, Freud's subjects are still depicted with a sense of intimacy, penetrating honesty, and psychological depth. The naked body is a subject that has special significance in Freud's oeuvre. Nakedness was a way for Freud to get a more truthful portrait. Freud's probing oils get fresh consideration in this monograph and Dawson provides insights and stories about Freud working on these portraits, giving an intriguing behind-the-scenes look at the life of a contemporary master of representational art.

A breathtaking visual biography of Freud, told through his own words, unpublished private photographs, and painted portraits This unprecedented look at the private life of Lucian Freud begins with childhood snapshots and ends with rarely seen photographs made in his studio in the last weeks of his life. In between, the life of one of the most important artists of the twentieth and twenty-first centuries is vividly documented - through family photos, in images of the painter in his studio with some of his most celebrated sitters, and in portraits by his peers, first among them Francis Bacon.