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In 1980, photographer Geoff Winningham and architect Cyrus
Sutherland traveled extensively throughout Arkansas to locate and
photograph examples of southern American vernacular architecture.
They were working on a commission from the First Federal Savings
and Loan of Arkansas, and after a year they had finished their
project. But, with their interest piqued and enjoying their
collaboration, they continued on with the project in hopes of
amassing a collection of photographs of vernacular architecture
from every region of the state.
In this witty, thoughtful, and clear-eyed look at a place that has
engaged the imaginations and energies of generations of
Galvestonians, Texans, and others, writer M. Jimmie Killingsworth
and photographer Geoff Winningham reflect on the various
Galvestons--virtual and real, natural and artificial--that compete
and overlap to create a location, a destination, and the defining
experiences associated with "going to Galveston."
For more than five years award-winning photographer Geoff Winningham explored and photographed Buffalo Bayou, the Houston Ship Channel, and the landscape he found along the way. As he hiked and canoed the course of this historic stream, he found pristine stretches of the bayou still untouched by the encroaching city of Houston. He also found areas where the forces of nature and those of the growing city seemed to struggle for supremacy. He revisited sites of historic importance, such as Allen's Landing, where the city was founded in 1836, and the San Jacinto Battlefield, where Texas won its independence in the same year. In Along Forgotten River, Winningham has sequenced eighty of his striking, large-format black-and-white photographs, following Buffalo Bayou from its source in the Katy Prairie through the suburbs and into the inner city of Houston. From there, his stunning duotone photographs follow the bayou east to its confluence with the San Jacinto River, where it becomes the Houston Ship Channel, crosses Galveston Bay, and enters the Gulf of Mexico. As a counterpoint to his photographs, Winningham has edited and sequenced passages from the written accounts of the earliest travelers to this part of Texas. Impelled by dreams or curiosity, an incredibly diverse lot of travelers came along the roads and streams of Texas in the preceding centuries. There were Spanish friars and itinerant preachers, prospective settlers, refugees, adventurers, exiles, and naturalists. Some travelers came with their families, looking for a place to settle. Mrs. Dilue Harris was one of these who came to Texas in the early 1830s. In her "Reminiscences," she recalled a night on Buffalo Bayou: "We were surrounded by wolves and water. There was a large sycamore tree that stood in the water near us, and it was as white as snow. The buzzards roosted in it. We could hear owls hoot all night. Mother said it was a night of horrors. . . . She said the owls were singing a funeral dirge, and the wolves and buzzards were waiting to bury us. . . ." In Along Forgotten River, Winningham has selected passages from the writings of these and other early travelers and interwoven them with his remarkable and beautiful photographs. The result is a complex and fascinating interplay of pictures and words, of historical perspective and present-day observation.
The fiestas provide tangible links to the pre-Hispanic cultures of middle America, intertwining some of the great Pagan festivals of these ancient peoples with catholic ritual and tradition. In the Eye of the Sun is a remarkable visual chronicle of Mexican life. The book also includes an introduction by Richard Rodriguez and an essay by J.M.G. Le Clezio.
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