Cobra (1986)
Lt. Cobretti (Sylvester Stallone) is a one-man assault team whose laser-mount submachine gun and pearl-handled Colt .45 spit pure crime-stopping venom! Director George P. Cosmatos teams up again with Stallone for this thriller, pitting Cobretti against a merciless serial killer. The trail leads to not one murderer but also an army of psychos bent on slashing their way to a "New Order", and killing a witness (Brigitte Nielsen) along the way. Fortunately, her protector is Cobra, a man who delivers vigilante justice like no other!

Assassins (1995)
Sylvester Stallone and Antonio Banderas star as professional killers, for whom life is survival of the ruthless. And the only retirement is in a body bag. Robert Rath (Stallone) is the best in the business, but he wants out. New competition Miguel Bain (Banderas) aims to do the one thing that will clinch the job: murder Rath. And Rath must dodge an assassin's bullets while hunting his current target, a beautiful electronic surveillance expert (Julianne Moore), who may be his most dangerous assignment ever. Now, for Rath to stop killing--and live--he must do the one thing his instinct and training scream not to do--trust the enemy.

Tango and Cash (1989)
Ray Tango And Gabe Cash (Sylvester Stallone, Kurt Russell) are rival policemen with one thing in common: each thinks he is the best. Team them up and they're like oil and water. But frame them for a crime and they're like a match and kerosene. After being found guilty in court and sentenced to do time, the two stage a prison breakout that's a breathless rush of weapons and wisecracks - then roar after the shadowy crimelord who set them up. Tango & Cash are out to clear their names. Join them and feel the rush.

The Specialist (1994)
Sharon Stone is May Munro, a beauty with a fatal past. She's sworn death to the mobsters who murdered her parents. To do the job, she recruits ex-CIA explosives expert Ray Quick (Sylvester Stallone). Miami grows white-hot as May lures the killers and Ray detonates them into ashes. But a vicious mob boss (Rod Steiger), his brash son (Eric Roberts) and a psychotic hired gun (James Woods) with a lethal grudge against Quick won't go without a fight. The passion the two avengers share can't hide Ray's ominous question. Is May falling for him... or setting him up, too?

Demolition Man (1993)
The future isn't big enough for the both of them--the 21st century's most dangerous cop and the 21st century's most ruthless criminal. John Spartan (Sylvester Stallone) is a no-holds-barred 20th century cop who had been sentenced to cryoprison, a cop known in an earlier century as the Demolition Man. But when psychopathic killer Simon Phoenix (Wesley Snipes) escapes cryoprison during a mandatory parole hearing, only officer Lenina Huxley (Sandra Bullock) has a plan to stop a criminal rampage from causing havoc in her now-peaceful world: free the one man capable of stopping Phoenix - the Demolition Man himself. Now, two men from another time bring a level of nonstop action long unseen in this future, idyllic world.

Collection of the first six films in George Lucas's popular 'Star Wars' franchise. In 'Star Wars Episode I: The Phantom Menace' (1999), Jedi Knight Qui-Gon Jinn (Liam Neeson) and his apprentice Obi-Wan Kenobi (Ewan McGregor) have embarked upon a diplomatic mission to the planet Naboo, intending to open discussions between the planet's leaders and the heads of the Trade Federation. But when they are ambushed by Federation robots, they quickly realise that the negotiations are merely a decoy for a hostile invasion organised by the evil Sith master. Joining forces with Jar Jar Binks (Ahmed Best) and the Naboo Queen Amidala (Natalie Portman), the Jedis manage to escape from Naboo and journey to the trade planet of Tatooine, where Qui-Gon meets a young slave boy named Anakin (Jake Lloyd), whom he identifies as a potentially powerful Jedi. In 'Star Wars Episodes II: Attack of the Clones' (2002), Anakin Skywalker (Hayden Christensen) disobeys the strictures of his Jedi training, embarking on a forbidden affair with Amidala while his teacher Obi-Wan Kenobi's investigation of assassination attempts against the Senator (Jimmy Smits) leads him to the distant planet of Kamino and into the middle of a separatist plot which brings the Galactic Republic to the very brink of civil war. In 'Star Wars Episode III: Revenge of the Sith' (2005), as the Clone Wars rage on, the rift between Chancellor Palpatine (Ian McDiarmid) and the Jedi Council widens with young Jedi Knight, Anakin Skywalker, caught in the middle, his allegiances torn. Seduced by promises of power and the temptations of the dark side, he pledges himself to the evil Sith Order, becoming Darth Vader. Together, the Sith Lords set in motion a plot of revenge against the Jedi, in attempt to destroy them all. Jedi Master, Obi-Wan Kenobi tries to turn his old Padawan learner back to the light side, leading to a climactic lightsaber battle that will shape the fate of the galaxy forever. In 'Star Wars Episode IV: A New Hope' (1977), the first released film of the franchise, Luke Skywalker (Mark Hamill), a farm boy from a desert planet who dreams of becoming a pilot, is drawn into a rebellion when his family buys two robots that the evil Empire are desperate to get their hands on. An old Jedi knight, Obi-Wan Kenobi (Alec Guinness), and smuggler Han Solo (Harrison Ford) are among his companions as he attempts to save the beautiful Princess Leia (Carrie Fisher) and aide the rebellion. In 'Star Wars Episode V: The Empire Strikes Back' (1980), the rebel alliance flees the power of Darth Vader (Dave Prowse) once again and finds refuge on the frozen planet of Hoth, but their safe place does not stay safe for long. In 'Star Wars Episode VI: Return of the Jedi' (1983), rebel Luke Skywalker (Hamill) and his friends continue to battle evil in the form of the decadent galactic empire as the ruthless Palpatine sets plans in motion to build a second Death Star with the purpose of destroying the Rebel Alliance.

The first three Star Wars films reworked as creator George Lucas intended. Using state-of-the-art technology, Lucas and his team cleaned up the prints, updated the special effects and added new footage.

Originally released before 'Episode I - The Phantom Menace' (1999) the films have been renamed to fit in with Lucas's original vision. The story follows the adventures of a band of fearless rebels who try to take on the might of the awesome Empire, led by the evil Emperor and Dark Lord of the Sith, Darth Vader (Dave Prowse). Throughout their quest, Luke Skywalker (Mark Hamill), Princess Leia (Carrie Fisher), Han Solo (Harrison Ford), Chewbacca (Peter Mayhew), R2-D2 (Kenny Baker) and C-3PO (Anthony Daniels) meet terrifying foes, new allies and bizarre creatures.

In 'Star Wars Episode IV - A New Hope' (1977), on discovering a secret hidden inside a droid that his family have bought, young farmhand Luke Skywalker becomes involved in a battle between the forces of light and the evil Empire. Along the way he meets up with a Jedi Knight (Alec Guinness), a roguish space pilot, a beautiful princess and an evil tyrant.

In 'Star Wars Episode V - The Empire Strikes Back' (1980), after the destruction of the Death Star, the rebels led by Luke and Leia are on the run from the vengeful Empire. Holed up on an inhospitable ice planet, they are soon discovered and must flee across the galaxy. Luke decides to visit an old Jedi Knight while Han and Leia become involved in a game of cat and mouse with Vader and a host of bounty hunters led by Boba Fett (Jeremy Bulloch). In 'Star Wars Episode VI - Return of the Jedi' (1983), with Han being held captive by Jabba the Hutt (voice of Larry Ward), his friends Luke, Leia, Lando (Billy Dee Williams), Chewbacca, R2-D2 and C-3PO plan a rescue mission. Then the intrepid group must make another assault on the new, more powerful Death Star and Luke must face his destiny in the shape of Darth Vader and the Emperor.

The first three Star Wars films reworked as creator George Lucas intended. Using state-of-the-art technology, Lucas and his team cleaned up the prints, updated the special effects and added new footage. Originally released before 'Episode I - The Phantom Menace' (1999) the films have been renamed to fit in with Lucas's original vision. The story follows the adventures of a band of fearless rebels who try to take on the might of the awesome Empire, led by the evil Emperor and Dark Lord of the Sith, Darth Vader (Dave Prowse). Throughout their quest, Luke Skywalker (Mark Hamill), Princess Leia (Carrie Fisher), Han Solo (Harrison Ford), Chewbacca (Peter Mayhew), R2-D2 (Kenny Baker) and C-3PO (Anthony Daniels) meet terrifying foes, new allies and bizarre creatures. In 'Star Wars Episode IV - A New Hope' (1977), on discovering a secret hidden inside a droid that his family have bought, young farmhand Luke Skywalker becomes involved in a battle between the forces of light and the evil Empire. Along the way he meets up with a Jedi Knight (Alec Guinness), a roguish space pilot, a beautiful princess and an evil tyrant. In 'Star Wars Episode V - The Empire Strikes Back' (1980), after the destruction of the Death Star, the rebels led by Luke and Leia are on the run from the vengeful Empire. Holed up on an inhospitable ice planet, they are soon discovered and must flee across the galaxy. Luke decides to visit an old Jedi Knight while Han and Leia become involved in a game of cat and mouse with Vader and a host of bounty hunters led by Boba Fett (Jeremy Bulloch). In 'Star Wars Episode VI - Return of the Jedi' (1983), with Han being held captive by Jabba the Hutt (voice of Larry Ward), his friends Luke, Leia, Lando (Billy Dee Williams), Chewbacca, R2-D2 and C-3PO plan a rescue mission. Then the intrepid group must make another assault on the new, more powerful Death Star and Luke must face his destiny in the shape of Darth Vader and the Emperor.

LA cop John Spartan (Sylvester Stallone), nicknamed 'Demolition Man' due to his hands-on approach to law enforcement, is condemned to 70 years in the penal freezer after being set up by Simon Phoenix (Wesley Snipes), Public Enemy Number One. Halfway through his sentence, however, both he and Phoenix are catapulted out of captivity, discovering their city has been transformed into a peaceful utopia, under the benevolent rule of mayor Dr Cocteau (Nigel Hawthorne). As a mysteriously pumped-up Phoenix carries on where he had left off 35 years earlier, Spartan teams up with a comparatively feisty cop (Sandra Bullock) to bring him to justice and expose the man who is engineering the whole scenario.

The next instalment in the 'Star Wars' franchise. Rebel Luke Skywalker (Mark Hamill) and his friends continue to battle evil in the form of the decadent galactic empire, headed by Jedi-gone-bad Darth Vader (Dave Prowse, with the voice of James Earl Jones), as the ruthless Palpatine (Ian McDiarmid) sets plans in motion to build a second Death Star with the purpose of destroying the Rebel Alliance.

It was the golden age of baseball, and all over the country teams gathered on town fields in front of throngs of fans to compete for local glory. In Rawlins, Wyoming, residents lined up for tickets to see slugger Joseph Seng and the rest of the Wyoming Penitentiary Death Row All Stars as they took on all comers in baseball games with considerably more at stake. Teams came from Reno, Nevada; Klamath Falls, Oregon; Bodie, California; and throughout the west to take on the murderers who made up the line-up. This is a fun and wildly dramatic and suspenseful look at the game of baseball and at the thrilling events that unfolded at a prison in the wide-open Wyoming frontier in pursuit of wins on the diamond.

In this sequel to George Lucas' 'American Graffiti', the lives of the young teenagers are focused on over four separate New Years' celebrations. The group come to terms with maturity and adulthood in the face of social unrest, police brutality and the advent of the Vietnam war.

LA cop John Spartan (Sylvester Stallone), nicknamed 'Demolition Man' due to his hands-on approach to law enforcement, is condemned to 70 years in the penal freezer after being set up by Simon Phoenix (Wesley Snipes), Public Enemy Number One. Halfway through his sentence, however, both he and Phoenix are catapulted out of captivity, discovering their city has been transformed into a peaceful utopia, under the benevolent rule of mayor Dr Cocteau (Nigel Hawthorne). As a mysteriously pumped-up Phoenix carries on where he had left off 35 years earlier, Spartan teams up with a comparatively feisty cop (Sandra Bullock) to bring him to justice and expose the man who is engineering the whole scenario.

Collection of five films starring Sylvester Stallone. In 'Assassins' (1995) professional hitman Rath (Stallone) decides it's time to call it a day, even though he is still the best around. But as he searches for a way out he discovers that he is now the target of another assassin, Bain (Antonio Banderas), who is determined to be the new number one. The two men are both sent on an assignment to kill intelligence operative Elektra (Julianne Moore). However, Rath decides to flee with Elektra and outwit Bain. In 'The Specialist' (1994) US demolition expert Ray Quick (Stallone) attempts to abort the assassination of a South American drugs baron when he realises innocent children will be killed in the explosion. However, his partner (James Woods) goes ahead with the mission, leaving the duo permanently estranged and Quick psychologically scarred. Years later, a beautiful woman (Sharon Stone) asks Quick to come out of retirement to kill a Cuban drug lord who has murdered her father. Quick initially refuses, but is soon drawn into a plot that brings him in contact with his ex-partner once again. In 'Tango and Cash' (1989) two mismatched cops, one sharp-suited (Stallone), the other a slob (Kurt Russell), are thrown together when they are framed by a big-shot gun-runner (Jack Palance). They are put in prison, duly escape, and then attempt to clear their names whilst trying to track down a massive haul of weapons before they get shipped abroad. In 'Demolition Man' (1993) LA cop John Spartan (Stallone), nicknamed 'Demolition Man' due to his hands-on approach to law enforcement, is condemned to 70 years in the penal freezer after being set up by Simon Phoenix (Wesley Snipes), Public Enemy Number One. Halfway through his sentence, however, both he and Phoenix are catapulted out of captivity, discovering their city has been transformed into a peaceful utopia, under the benevolent rule of mayor Dr Cocteau (Nigel Hawthorne). As a mysteriously pumped-up Phoenix carries on where he had left off 35 years earlier, Spartan teams up with a comparatively feisty cop (Sandra Bullock) to bring him to justice and expose the man who is engineering the whole scenario. In 'Cobra' (1986) a tough detective known as Cobra (Stallone), is assigned to protect a beautiful model (Brigitte Nielsen), the only witness to a series of brutal murders. It transpires that the killings are not the work of one lone psychopath but rather a highly organised army of neo-fascists.

By the time Stagecoach made John Wayne a silver-screen star in 1939, the thirty-one-year-old was already a veteran of more than sixty films, having twirled six-guns and foiled cattle rustlers in B Westerns for five studios. By the 1950s he was Hollywood's most popular actor-an Academy Award nominee destined to become an American icon. This biography reveals the story of his early life, illustrated with rare archival images.

Long before the screen placed the face of Mary Pickford before the eyes of millions of Americans, this girl, born August 13, 1860 as Phoebe Anne Oakley Moses, had won the right to the title of "America's Sweetheart." Having grown up learning to shoot game to help support her family, Annie won first prize and met her future husband at a shooting match when she was fifteen years old. He convinced her to change her name to Annie Oakley and became her husband, manager, and number-one fan for the next fifty years. Annie quickly gained worldwide fame as an incredible crack shot, and could amaze audiences at her uncanny accuracy with nearly any rifle or pistol, whether aiming at stationary objects or shooting fast-flying targets from the cockpit of a moving airplane. Despite struggles with her health and even a long, drawn-out legal battle with media magnate William Randolph Hearst, Annie Oakley poured her energy into advocating for the U.S. military, encouraging women to engage in sport shooting, and supporting orphans.

Colorado Territory in 1864 wasn't merely the wild west, it was a land in limbo while the Civil War raged in the east and politics swirled around its potential admission to the union. The territorial governor, John Evans, had ambitions on the national stage should statehood occur--and he was joined in those ambitions by a local pastor and erstwhile Colonel in the Colorado militia, John Chivington. The decision was made to take a hard line stance against any Native Americans who refused to settle on reservations--and in the fall of 1864, Chivington set his sights on a small band of Cheyenne under the chief Black Eagle, camped and preparing for the winter at Sand Creek. When the order to fire on the camp came on November 28, one officer refused, other soldiers in Chivington's force, however, immediately attacked the village, disregarding the American flag, and a white flag of surrender that was run up shortly after the soldiers commenced firing. In the ensuing "battle" fifteen members of the assembled militias were killed and more than 50 wounded Between 150 and 200 of Black Kettle's Cheyenne were estimated killed, nearly all elderly men, women and children. As with many incidents in American history, the victors wrote the first version of history--turning the massacre into a heroic feat by the troops. Soon thereafter, however, Congress began an investigation into Chivington's actions and he was roundly condemned. His name still rings with infamy in Colorado and American history. Mochi's War explores this story and its repercussions into the last part of the nineteenth Century from the perspective of a Cheyenne woman whose determination swept her into some of the most dramatic and heartbreaking moments in the conflicts that grew through the West in the aftermath of Sand Creek.

Was Arizona Donnie Clark, AKA Kate "Ma" Barker the mastermind behind the Barker gang terrorizing the Midwest during the early years of the great Depression? Or was she a terrible mother who urged her sons to criminal behavior for her own financial gain? Or does the truth lie somewhere in between. This lively retelling of the legend of Ma Barker and her boys is full of action, intrigue, and the answers to mysteries that have lingered for more than 70 years.

The year was 1878. Future legends of the Old West--lawmen Charlie Bassett, Bat Masterson, Wyatt Earp, and Bill Tilghman--patrolled the unruly streets of Dodge City, Kansas, then known as "the wickedest little city in America." When a cattle baron fled town after allegedly shooting the popular dancehall girl Dora Hand, these four men--all sharpshooters who knew the surrounding harsh, desertlike terrain--hunted him down, it was said, like "thunder over the prairie." The posse's legendary ride across the desolate landscape to seek justice influenced the men's friendship, careers, and feelings about the justice system. This account of that event is a fast-paced, unforgettable glimpse into the Old West.

On May 17, 1876, Elizabeth Bacon Custer kissed her husband George goodbye and wished him good fortune in his efforts to fulfill the Army's orders to drive in the Native Americans who would not willingly relocate to a reservation. Adorned in a black taffeta dress and a velvet riding cap with a red peacock feather that matched George's red scarf, she watched the proud regiment ride off. It was a splendid picture. This new biography of Elizabeth Bacon Custer relates the story of the famous and dashing couple's romance, reveals their life of adventure throughout the west during the days of the Indian Wars, and recounts the tragic end of the 7th cavalry and the aftermath for the wives. Libbie Custer was an unusual woman who followed her itinerant army husband's career to its end--but she was also an amazing master of propaganda who tried to recreate George Armstrong Custer's image after Little Bighorn. The author of many books about her own life (some of which are still in print) she was one of the most famous women of her time and remains a fascinating character in American history.

The Oklahoma Historical Society Outstanding Book on Oklahoma History for 2012. A riveting biography of a little-known Native-American who shaped history-complete with shootouts, romance, intrigue, and a little politics.

More than six decades have passed since Roy Rogers and Dale Evans first rode the celluloid range together, yet they continue to be loved and admired in a way few - if any - celebrities can claim. They co-starred in twenty-nine motion pictures and recorded more than 200 albums together, and they brought their talents to television in the 1950s, entertaining a large audience with The Roy Rogers Show.
Happy Trails shares intimate photographs of the lives and fifty-six-year partnership of this famous couple, both on and off the screen. From their first singing jobs to their successful film careers, the photographs chronicle the duo's early struggles and slow rise to stardom. On the home front, their faith was constantly tested by the struggles in their personal lives. Roy's first wife died, leaving him with three children to bring up alone. After Roy and Dale were married, their two-year-old daughter died, a second daughter died in a tragic accident and a son died suddenly overseas.
The family photographs show the family's steadfast faith and endurance during tough times and their love and warmth during happier times, when the children were young and their parents were not only superstars, they were "Mom" and "Dad."
Roy Rogers and Dale Evans were the reigning royalty of B Western movies for more than a decade and they parlayed their fame into a ten-year hit television show, becoming overnight heroes to millions of boys and girls. With never-before-published family photographs and personal reminiscences, Happy Trails shares the struggles, triumphs, and seldom seen home life of this famous husband-and-wife duo. Included are private photographs from their childhoods, early singingcareers, marriage, and family life with their nine children, as well as publicity photographs of the "King of the Cowboys" and the "Queen of the West" with Trigger, Bullet, Gabby Hayes, and Pat Brady.

In 1944 Roy Rogers and Dale Evans lit up the silver screen in The Cowboy and the Senorita, making their names - and lives - inseparable. It was the start of a fifty-six-year partnership that included thirty motion pictures, a long-running hit television series, and a family of nine children.
The Cowboy and the Senorita tells the heartbreaking yet ultimately triumphant story of the "King of the Cowboys" and "Queen of the West." In this new, authorized biography, the Rogers family shares the inside story of these beloved Western heroes, detailing Roy's and Dale's struggles and rise to stardom, the lives of their children, their professional triumphs, and the personal tragedies that befell their family.
Over their long careers, Roy Rogers and Dale Evans came to represent truth, justice, and the American way. Their story will take you back to a simpler time, when wholesome entertainment ruled Saturday matinees and the good guys wore white hats both on and off the screen.

By the time Stagecoach made John Wayne a silver-screen star in 1939, the thirty-one-year-old was already a veteran of more than sixty films, having twirled six-guns, tossed rope, busted broncos, and foiled cattle rustlers in B westerns for five different studios over the course of a dozen years. By the 1950s he was Hollywood's most popular male actor--an Academy Award nominee destined to become an American icon.
Through previously unpublished photographs and revealing family anecdotes, The Young Duke tells how Marion Morrison became the legend known as John Wayne--from his boyhood in Winterset, Iowa, to his days as a college football star, to his stunning box-office success in Westerns and war movies in the 1930s and 1940s. Shedding new light on Wayne's formative years and early Hollywood roles and influences, this biography reveals the true stories behind the screen legend's public and private lives.

On May 17, 1876, Elizabeth Bacon Custer kissed her husband George goodbye and wished him good fortune in his efforts to fulfill the Army's orders to drive in the Native Americans who would not willingly relocate to a reservation. Adorned in a black taffeta dress and a velvet riding cap with a red peacock feather that matched George's red scarf, she watched the proud regiment ride off. It was a splendid picture. This new biography of Elizabeth Bacon Custer relates the story of the famous and dashing couple's romance, reveals their life of adventure throughout the west during the days of the Indian Wars, and recounts the tragic end of the 7th cavalry and the aftermath for the wives. Libbie Custer was an unusual woman who followed her itinerant army husband's career to its end--but she was also an amazing master of propaganda who tried to recreate George Armstrong Custer's image after Little Bighorn. The author of many books about her own life (some of which are still in print) she was one of the most famous women of her time and remains a fascinating character in American history.

Relive the Golden Era of the King of the Cowboys and the Queen of the West In the mid-twentieth century, Roy Rogers and Dale Evans ruled the West from the silver screen as the King of Cowboys and the Queen of the West. Off screen, this husband and wife duo raised a family and lived the "Code of the West." In this biography, named for their first feature film as a pair, the Rogers family shares the inside story of these beloved Western icons.

Take one well-oiled effective killing machine, add a familiar hero on the ground, in the air, and on horseback; stir in a ghastly end that's surely impossible to escape, add action, add passion, made on a shoestring budget at breakneck speed, and you've got the recipe for Republic Pictures. Who, after all, cannot forget The Atomic Kid, starring Mickey Rooney, or The Untamed Heiress, with an un-Oscar-worthy performance by ingenue Judy Canova? Exploding onto the movie scene in 1935, Republic Pictures brought the pop culture of the 30s and 40s to neighborhood movie houses. Week after week kids sank into their matinee seats to soak up the Golden Age of the Republic series, to ride off into the classic American West. And they gave us visions of the future. Visions that inspire film makers today. Republic was a studio that dollar for dollar packed more movie onto the screen than the majors could believe. From sunrise on into the night over grueling six day weeks, no matter how much mayhem movie makers were called upon to produce, at Republic Pictures it was all in a day's work. Republic Pictures was the little studio in the San Fernando Valley where movies were made family style. A core of technicians, directors, and actors worked hard at their craft as Republic released a staggering total of more than a thousand films through the late 1950s. Republic Pictures was home to John Wayne for thirty-three films. Always inventing, Republic brought a song to the West. It featured the West's first singing cowboy. Republic brought action, adventure, and escape to neighborhood movies houses across America. And they brought it with style. Scene from westerns such as The Three Mesquiteers and the Lawless Range gave screaming kids at the bijou a white-knuckle display of expert film making. Republic Pictures became a studio where major directors could bring their personal vision to the screen. Sometimes these were projects no other studio would touch such as The Quiet Man (which brought director John Ford an Oscar) and Macbeth. Killer Bs, Cowboys, Creatures and Classics: The Story of Republic Pictures is for anyone who likes B movies magic. It is the honest account of an extraordinary production house, one whose ability to turn out films quickly boded well for its transition into television production. Not only were its sets used for such shows as Leave it to Beaver and Gilligan's Island, stock footage from Republic's movies was used on such shows as Gunsmoke and The Life and Legend of Wyatt Earp.