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Four narrated stories set in the Tenth Doctor era; The Taste of Death by Helen Goldwyn. The Doctor and Rose sample the high - life on resort planet MXQ1, run by the famous Bluestone brothers. It has everything: exotic beaches, luxury accommodation and extravagant dining. Something's cooking in the kitchen, and it's to die for. Backtrack by Matthew J Elliott. When the TARDIS crashes in the vortex, Martha and the Doctor find themselves on board the time-ship Best Before, where the host offers temporal cruises at reasonable prices. But time travellers must never cut corners. Dangerous forces have been unleashed, and Martha finds her medical skills put to the test as she deals with some lethal fall-out.Time is running out, and the clock is ticking towards disaster! Wild Pastures by James Goss. Strange things are happening at the Wild Pastures Rest Home. When the Doctor calls on the Nobles to investigate, he doesn't expect Sylvia to be the one to step up. Soon, they're in too deep, and the Doctor and Sylvia will need all their faculties to get out alive. Last Chance by Guy Adams.Trying to spare a few creatures from extinction, the Doctor bumps into an old acquaintance on the African plains -Lady Christina de Souza. They are about to find themselves on the endangered list. These stories are narrated by Jake Dudman, giving voice to the much-loved Tenth Doctor as played on TV by David Tennant. Jacqueline King plays Sylvia Noble - mother of Donna Noble as played by Catherine Tate in some of Doctor Who's most watched episodes. CAST: Jake Dudman (Narrator / The Doctor), Jacqueline King (Sylvia Noble), Michelle Ryan (Lady Christina de Souza).
Eleanor Heaton was twenty-three when her husband died, leaving her with three small daughters and nothing else. The day came when she was so hungry, so tired and so worried, that she was reduced to going to Akersfield market and asking Dick Fletcher for help.
Dick took Eleanor back home, gave her a job and helped her to regain her self-respect. But the time came when she knew she must stand on her own and make a life for herself and her daughters without him. It was to take many years, and all the tragedy of the 1914 war before Eleanor was able to repay Dick Fletcher the great debt she owed him.
The sisters O'Donnell all had the flaming red hair of the O'Donnell clan, and tempers to match. When they came from County Tipperary to seek their fortunes in the Liverpool of the 1920s, they were full of ambition and hope. However, the city wasn't what they thought it would be, and neither was their Aunt Maura, who turned out to be a miserable slattern. Work was impossible to find and their money was running out. The girls had a long way to go before they could realize their dreams.
After sixteen years of marriage to the handsome but unfaithful Giles, Amanda is sure of one thing: she isn't going to make the same mistake twice. So when she--literally--bumps into charismatic Angus Day in his cobalt blue sports car, there's no way she's going to fall for all that charm baloney again. This time she's determined to choose someone suitable. Like Luke Knight, a caring, sharing new man who helps old ladies across the street. After all, it's obvious to anyone with half a brain which one is better husband material. Isn't it?
The Rector's wife, Caroline, couldn't have children. It was an indiscretion by her husband Peter that led to the birth of the twins. Their mother Susie gave them up for adoption to Peter and Caroline and they have always been treated as Caroline's own children. Now the children, who know that Peter is their father, are asking who their birth mother is. Of course everyone in the village has a view on how it should be handled. Usually, Peter calms troubled waters, but this time, he's at the heart of the problem!
If Liverpool, 1944, was grim for Rita and her two aunts Nellie and Margo, Rita knew that life in America was carefree and rich - she'd seen it in all the films. So when her G.I. came to call, she was sure that love and escape had come at last. But Nellie, who slaved for them all and kept the town in clothes, knew different: the boy would have to go. And in the end, it wasn't really her fault. . .
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