Cobra (1986)
Lt. Cobretti (Sylvester Stallone) is a one-man assault team whose laser-mount submachine gun and pearl-handled Colt .45 spit pure crime-stopping venom! Director George P. Cosmatos teams up again with Stallone for this thriller, pitting Cobretti against a merciless serial killer. The trail leads to not one murderer but also an army of psychos bent on slashing their way to a "New Order", and killing a witness (Brigitte Nielsen) along the way. Fortunately, her protector is Cobra, a man who delivers vigilante justice like no other!

Assassins (1995)
Sylvester Stallone and Antonio Banderas star as professional killers, for whom life is survival of the ruthless. And the only retirement is in a body bag. Robert Rath (Stallone) is the best in the business, but he wants out. New competition Miguel Bain (Banderas) aims to do the one thing that will clinch the job: murder Rath. And Rath must dodge an assassin's bullets while hunting his current target, a beautiful electronic surveillance expert (Julianne Moore), who may be his most dangerous assignment ever. Now, for Rath to stop killing--and live--he must do the one thing his instinct and training scream not to do--trust the enemy.

Tango and Cash (1989)
Ray Tango And Gabe Cash (Sylvester Stallone, Kurt Russell) are rival policemen with one thing in common: each thinks he is the best. Team them up and they're like oil and water. But frame them for a crime and they're like a match and kerosene. After being found guilty in court and sentenced to do time, the two stage a prison breakout that's a breathless rush of weapons and wisecracks - then roar after the shadowy crimelord who set them up. Tango & Cash are out to clear their names. Join them and feel the rush.

The Specialist (1994)
Sharon Stone is May Munro, a beauty with a fatal past. She's sworn death to the mobsters who murdered her parents. To do the job, she recruits ex-CIA explosives expert Ray Quick (Sylvester Stallone). Miami grows white-hot as May lures the killers and Ray detonates them into ashes. But a vicious mob boss (Rod Steiger), his brash son (Eric Roberts) and a psychotic hired gun (James Woods) with a lethal grudge against Quick won't go without a fight. The passion the two avengers share can't hide Ray's ominous question. Is May falling for him... or setting him up, too?

Demolition Man (1993)
The future isn't big enough for the both of them--the 21st century's most dangerous cop and the 21st century's most ruthless criminal. John Spartan (Sylvester Stallone) is a no-holds-barred 20th century cop who had been sentenced to cryoprison, a cop known in an earlier century as the Demolition Man. But when psychopathic killer Simon Phoenix (Wesley Snipes) escapes cryoprison during a mandatory parole hearing, only officer Lenina Huxley (Sandra Bullock) has a plan to stop a criminal rampage from causing havoc in her now-peaceful world: free the one man capable of stopping Phoenix - the Demolition Man himself. Now, two men from another time bring a level of nonstop action long unseen in this future, idyllic world.

Dark sequel in the tale of Tarzan, directed by David Yates. Tarzan, now John Clayton III, Lord of Greystoke (Alexander Skarsgård) left his life in the jungle behind many years ago. Living with his wife Jane (Margot Robbie) in London, Tarzan seems to have assimilated into a content Western lifestyle. When he is asked to return to the Congo by Parliament to investigate a criminal mining venture deep in the jungle with Belgian Captain Rom (Christoph Waltz), all may not be as it seems.

Daniel (Ralph Macchio) arrives at his new school in California and soon finds himself bullied by a bunch of karate-trained creeps. Nevermind, help is on hand in the form of the school janitor (Pat Morita), a wise old martial arts instructor who trains Daniel to become a karate expert. This is lucky, because when the chief bully discovers that Daniel has taken up with his girlfriend, he's not going to be very happy about it.

Dark sequel in the tale of Tarzan, directed by David Yates. Tarzan, now John Clayton III, Lord of Greystoke (Alexander Skarsgård) left his life in the jungle behind many years ago. Living with his wife Jane (Margot Robbie) in London, Tarzan seems to have assimilated into a content Western lifestyle. When he is asked to return to the Congo by Parliament to investigate a criminal mining venture deep in the jungle with Belgian Captain Rom (Christoph Waltz), all may not be as it seems.

Collection of four comedies following the Griswold family's vacations. In 'National Lampoon's Vacation' (1983), the West Coast Wally World theme park is the Griswold's holiday destination, and they intend to drive there cross-country all the way from their Chicago home. Father Clark (Chevy Chase) has planned the trip down to its last detail, but the trouble begins as soon as they hit the road. In 'National Lampoon's European Vacation' (1985), the family win a holiday to Europe. Contrary to their expectations, however, it is not a luxurious, all-expenses-paid kind of trip, but rather a cut-price, economy deal which takes them to some of the Old World's seedier locations. Of course, it's not long before they are caught up in all manner of misadventures. In 'National Lampoon's Christmas Vacation' (1989), the Griswolds decide to spend the Christmas season at home. Needless to say, it is not as quiet as they had planned. Finally, in 'Vegas Vacation' (1997), the clan head for the gleaming lights of Las Vegas. Unfortunately, Clark is soon transformed into a compulsive gambler, daughter Audrey (Marisol Nichols) becomes an exotic dancer and son Rusty (Ethan Embry) begins posing as a suave high roller.

Ocean's Eleven
Three casinos. Eleven guys. $150 million. No problem. Danny Ocean likes his chances. All he asks is that his handpicked squad of 10 grifters and cons play the game like they have nothing to lose. If all goes right, the payoff will be a fat $150 million. Divided by 11. You do the maths.

Ocean's Twelve
It's been three years since Danny Ocean and his crew pulled off one of the most audacious and lucrative heists in history, robbing ruthless entrepreneur Terry Benedict of every dime stored in his impenetrable Las Vegas vault. After splitting the cash, each of the infamous Ocean's crew have tried to go straight, lay low and live a legit life... but that's proven to be a challenge. And when someone breaks Rule Number One and rats them out to Benedict, going straight is no longer an option...

Ocean's Thirteen
What are the odds of getting even? Danny Ocean and the gang are going back to Vegas and this time there's only one reason to pull-off their most ambitious and risky casino heist - to defend one of their own. When ruthless casino owner Willy Bank double-crosses one of the Eleven - Danny and the gang see if they can break "The Bank."

Francesca (Julia Roberts) and Calvin (Blair Underwood) are actors performing in a motion picture directed by David Fincher and co-starring Brad Pitt (who star as themselves). Woven in and out of the film production story thread are several subplots, including one about a lovelorn woman, Linda (Mary McCormack); the self-absorbed Gus (David Duchovny); and a husband, Carl (David Hyde Pierce), whose wife (Catherine Keener) is falling for Calvin.

Collection of five films starring Sylvester Stallone. In 'Assassins' (1995) professional hitman Rath (Stallone) decides it's time to call it a day, even though he is still the best around. But as he searches for a way out he discovers that he is now the target of another assassin, Bain (Antonio Banderas), who is determined to be the new number one. The two men are both sent on an assignment to kill intelligence operative Elektra (Julianne Moore). However, Rath decides to flee with Elektra and outwit Bain. In 'The Specialist' (1994) US demolition expert Ray Quick (Stallone) attempts to abort the assassination of a South American drugs baron when he realises innocent children will be killed in the explosion. However, his partner (James Woods) goes ahead with the mission, leaving the duo permanently estranged and Quick psychologically scarred. Years later, a beautiful woman (Sharon Stone) asks Quick to come out of retirement to kill a Cuban drug lord who has murdered her father. Quick initially refuses, but is soon drawn into a plot that brings him in contact with his ex-partner once again. In 'Tango and Cash' (1989) two mismatched cops, one sharp-suited (Stallone), the other a slob (Kurt Russell), are thrown together when they are framed by a big-shot gun-runner (Jack Palance). They are put in prison, duly escape, and then attempt to clear their names whilst trying to track down a massive haul of weapons before they get shipped abroad. In 'Demolition Man' (1993) LA cop John Spartan (Stallone), nicknamed 'Demolition Man' due to his hands-on approach to law enforcement, is condemned to 70 years in the penal freezer after being set up by Simon Phoenix (Wesley Snipes), Public Enemy Number One. Halfway through his sentence, however, both he and Phoenix are catapulted out of captivity, discovering their city has been transformed into a peaceful utopia, under the benevolent rule of mayor Dr Cocteau (Nigel Hawthorne). As a mysteriously pumped-up Phoenix carries on where he had left off 35 years earlier, Spartan teams up with a comparatively feisty cop (Sandra Bullock) to bring him to justice and expose the man who is engineering the whole scenario. In 'Cobra' (1986) a tough detective known as Cobra (Stallone), is assigned to protect a beautiful model (Brigitte Nielsen), the only witness to a series of brutal murders. It transpires that the killings are not the work of one lone psychopath but rather a highly organised army of neo-fascists.

Box set featuring all four 'Karate Kid' movies. In 'The Karate Kid' (1984), Daniel (Ralph Macchio) arrives at his new school in California and soon finds himself bullied by a bunch of karate-trained creeps. Help is on hand in the form of the school janitor (Pat Morita), a wise old martial arts instructor who trains Daniel to become a karate expert. This is lucky, because when the chief bully discovers that Daniel has taken up with his girlfriend, he's not going to be very happy about it. In 'The Karate Kid 2' (1986), Daniel decides to accompany his teacher Mr Miyagi to his home island of Okinawa. Mr Miyagi has not seen his home in 40 years, on account of a vicious feud between him and an old friend over the affections of a woman. Meanwhile, Daniel is in similar trouble after falling for a girl who has captured a bully's fancy. In 'The Karate Kid 3' (1989), Daniel returns to LA and is emotionally blackmailed into defending a championship title he doesn't want, and becomes upset when his mentor Mr Miyagi refuses to train him for the bout. Who is behind this troubling turn of events? None other than Danny's old enemy Kreese (Martin Kove). Finally, in 'The Next Karate Kid' (1994), Julie's (Hilary Swank) parents have recently met a tragic death and as a result she has become rude, violent and very ill-mannered to everybody around her. This causes her to be constantly harrassed by a violent all-male gang. So Mr. Miyagi takes her on as a potential karate champion, helping her stand up to her aggressors and to reclaim her inner and outer strength.

Recently paroled con artist Danny Ocean is a man who keeps his cool in situations unlikely to make any individual comfortable. No sooner does he violate his parole that he's travelling around the country gathering people for his next big schemes: to rob three casino's owned by the ever ruthless Terry Benedict. With the aid of a right hand man named Dusty, a thief out of retirement, a pickpocket, a card dealer, a surveillance man, a Chinese acrobat, an explosives expert, two frontmen, and a bitter casino mogul, they make up Ocean's eleven, out to make one very score.

Here is the story of Jerry Weintraub: the self-made, Brooklyn-born, Bronx-raised impresario, Hollywood producer, legendary deal maker, and friend of politicians and stars. No matter where nature has placed him--the club rooms of Brooklyn, the Mafia dives of New York's Lower East Side, the wilds of Alaska, or the hills of Hollywood--he has found a way to put on a show and sell tickets at the door. "All life was a theater and I wanted to put it up on a stage," he writes. "I wanted to set the world under a marquee that read: 'Jerry Weintraub Presents.'"
In WHEN I STOP TALKING, YOU'LL KNOW I'M DEAD, we follow Weintraub from his first great success at age twenty-six with Elvis Presley, whom he took on the road; to the immortal days with Sinatra and Rat Pack glory; to his crowning hits as a movie producer, starting with Robert Altman and Nashville, continuing with Oh, God , The Karate Kid movies, and Diner, among others, and summiting with Steven Soderbergh and Ocean's Eleven, Twelve, and Thirteen.
Along the way, we'll watch as Jerry moves from the poker tables of Palm Springs, to the power rooms of Hollywood, to the halls of the White House, to Red Square in Moscow-all the while counseling potentates, poets, and kings, with clients and confidants like George Clooney, Bruce Willis, George H. W. Bush, Armand Hammer, Brad Pitt, Matt Damon, Bob Dylan, Led Zeppelin, John Denver, Bobby Fischer . . .well, the list goes on.
And of course, the story is not yet over . . . As Weintraub says, "When I stop talking, you'll know I'm dead."

Here is the story of Jerry Weintraub: the self-made, Brooklyn-born, Bronx-raised impresario, Hollywood producer, legendary deal maker, and friend of politicians and stars. No matter where nature has placed him--the club rooms of Brooklyn, the Mafia dives of New York's Lower East Side, the wilds of Alaska, or the hills of Hollywood--he has found a way to put on a show and sell tickets at the door. "All life was a theater and I wanted to put it up on a stage," he writes. "I wanted to set the world under a marquee that read: 'Jerry Weintraub Presents.'"
In WHEN I STOP TALKING, YOU'LL KNOW I'M DEAD, we follow Weintraub from his first great success at age twenty-six with Elvis Presley, whom he took on the road with the help of Colonel Tom Parker; to the immortal days with Sinatra and Rat Pack glory; to his crowning hits as a movie producer, starting with Robert Altman and Nashville, continuing with Oh, God , The Karate Kid movies, and Diner, among others, and summiting with Steven Soderbergh and Ocean's Eleven, Twelve, and Thirteen.
Along the way, we'll watch as Jerry moves from the poker tables of Palm Springs (the games went on for days), to the power rooms of Hollywood, to the halls of the White House, to Red Square in Moscow and the Great Palace in Beijing-all the while counseling potentates, poets, and kings, with clients and confidants like George Clooney, Bruce Willis, George H. W. Bush, Armand Hammer, Brad Pitt, Matt Damon, Bob Dylan, Led Zeppelin, John Denver, Bobby Fischer . . .well, the list goes on forever.
And of course, the story is not yet over . . .as the old-timers say, "The best is yet to come."
As Weintraub says, "When I stop talking, you'll know I'm dead."
With wit, wisdom, and the cool confidence that has colored his remarkable career, Jerry chronicles a quintessentially American journey, one marked by luck, love, and improvisation. The stories he tells and the lessons we learn are essential, not just for those who love movies and music, but for businessmen, entrepreneurs, artists . . . everyone.

Here is the story of Jerry Weintraub: the self-made, Brooklyn-born, Bronx-raised impresario, Hollywood producer, legendary deal maker, and friend of politicians and stars. No matter where nature has placed him--the club rooms of Brooklyn, the Mafia dives of New York's Lower East Side, the wilds of Alaska, or the hills of Hollywood--he has found a way to put on a show and sell tickets at the door. "All life was a theater and I wanted to put it up on a stage," he writes. "I wanted to set the world under a marquee that read: 'Jerry Weintraub Presents.'"
In WHEN I STOP TALKING, YOU'LL KNOW I'M DEAD, we follow Weintraub from his first great success at age twenty-six with Elvis Presley, whom he took on the road with the help of Colonel Tom Parker; to the immortal days with Sinatra and Rat Pack glory; to his crowning hits as a movie producer, starting with Robert Altman and Nashville, continuing with Oh, God , The Karate Kid movies, and Diner, among others, and summiting with Steven Soderbergh and Ocean's Eleven, Twelve, and Thirteen.
Along the way, we'll watch as Jerry moves from the poker tables of Palm Springs (the games went on for days), to the power rooms of Hollywood, to the halls of the White House, to Red Square in Moscow and the Great Palace in Beijing-all the while counseling potentates, poets, and kings, with clients and confidants like George Clooney, Bruce Willis, George H. W. Bush, Armand Hammer, Brad Pitt, Matt Damon, Bob Dylan, Led Zeppelin, John Denver, Bobby Fischer . . .well, the list goes on forever.
And of course, the story is not yet over . . .as the old-timers say, "The best is yet to come."
As Weintraub says, "When I stop talking, you'll know I'm dead."
With wit, wisdom, and the cool confidence that has colored his remarkable career, Jerry chronicles a quintessentially American journey, one marked by luck, love, and improvisation. The stories he tells and the lessons we learn are essential, not just for those who love movies and music, but for businessmen, entrepreneurs, artists . . . everyone.