Acclaimed as one of the most original voices in modern literature, Raphael Aloysius Lafferty has been awarded and nominated for a multitude of accolades over the span of his career, including the World Fantasy Award for Lifetime Achievement. This collection contains 22 unique tall tales, including: Hugo Award-winning 'Eurema's Dam' - introduced by Robert Silverberg Hugo Award-nominated 'Continued on the Next Rock' - introduced by Nancy Kress 'Sky' - introduced by Gwenda Bond Nebula Award-nominated 'In Our Block' - introduced by Neil Gaiman And more stories introduced by other modern masters of SF who acknowledge R.A. Lafferty as a major influence and force in the field.

Acclaimed as one of the most original voices in modern literature, Raphael Aloysius Lafferty drew more from traditional oral storytelling techniques than from the usual pulp roots of SF. His inventive style and fondness for tall tales marked him out from his contemporaries, and writers of the calibre of Harlan Ellison, Neil Gaiman and Gene Wolfe acknowledge him as a major influence and force in the field. His fiction has garnered numerous award wins and nominations and he has been given the prestigious SFWA Grand Master Award and the World Fantasy Award for Lifetime Achievement. This volume contains three of his early novels: the Hugo- and Nebula-shortlisted Past Master, space opera re-telling of The Odyssey, Space Chantey, and Fourth Mansions, also shortlisted for the Nebula.

This collection of literature attempts to compile many of the classic, timeless works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

He began by breaking things that morning. He broke the glass of water on his night stand. He knocked it crazily against the opposite wall and shattered it. Yet it shattered slowly. This would have surprised him if he had been fully awake, for he had only reached out sleepily for it.

Nor had he wakened regularly to his alarm; he had wakened to a weird, slow, low booming, yet the clock said six, time for the alarm. And the low boom, when it came again, seemed to come from the clock.

He reached out and touched it gently, but it floated off the stand at his touch and bounced around slowly on the floor. And when he picked it up again it had stopped, nor would shaking start it.

He checked the electric clock in the kitchen. This also said six o'clock, but the sweep hand did not move. In his living room the radio clock said six, but the second hand seemed stationary.

That was only the beginning. Worse things were to come -- much, "much" worse . . .

He began by breaking things that morning. He broke the glass of water on his night stand. He knocked it crazily against the opposite wall and shattered it. Yet it shattered slowly. This would have surprised him if he had been fully awake, for he had only reached out sleepily for it.

Nor had he wakened regularly to his alarm; he had wakened to a weird, slow, low booming, yet the clock said six, time for the alarm. And the low boom, when it came again, seemed to come from the clock.

He reached out and touched it gently, but it floated off the stand at his touch and bounced around slowly on the floor. And when he picked it up again it had stopped, nor would shaking start it.

He checked the electric clock in the kitchen. This also said six o'clock, but the sweep hand did not move. In his living room the radio clock said six, but the second hand seemed stationary.

That was only the beginning. Worse things were to come -- much, "much" worse . . .

Manuel shouldn't have been employed as a census taker. He wasn't qualified. He couldn't read a map. He didn't know what a map was. He only grinned when they told him that North was at the top.

He knew better.

But he did write a nice round hand, like a boy's hand. He knew Spanish, and enough English. For the sector that was assigned to him he would not need a map. He knew it better than anyone else, certainly better than any mapmaker. Besides, he was poor and needed the money.

They instructed him and sent him out. Or they thought that they had instructed him. They couldn't be sure.

"Count everyone? All right. Fill in everyone? I need more papers."

"We will give you more if you need more. But there aren't so many in your sector."

"Lots of them. "Lobos," "tejones," "zorros," even people."

Manuel shouldn't have been employed as a census taker. He wasn't qualified. He couldn't read a map. He didn't know what a map was. He only grinned when they told him that North was at the top.

He knew better.

But he did write a nice round hand, like a boy's hand. He knew Spanish, and enough English. For the sector that was assigned to him he would not need a map. He knew it better than anyone else, certainly better than any mapmaker. Besides, he was poor and needed the money.

They instructed him and sent him out. Or they thought that they had instructed him. They couldn't be sure.

"Count everyone? All right. Fill in everyone? I need more papers."

"We will give you more if you need more. But there aren't so many in your sector."

"Lots of them. "Lobos," "tejones," "zorros," even people."

"This curious and wonderful tall tale contributes to the apocalyptic revision of American history that began with Little Big Man and Bury My Heart at Wounded Knee. It's the tale of Hannali Innominee, a 'Mingo' or natural lord of the 19th-century Choctaw Indian [and] a capacious, indomitable giant of the ilk of Paul Bunyan....Lafferty tells it straight: how the Choctaw nation, once removed, reconstituted itself and thrived in Indian territory...., how there came a schism between the rich, part-white, slave-owning, moneylending Choctaws and the 'feudal, compassionate, chauvinistic' full-blooded freeholders like Hannali; and how, during the Civil War, the Indians were manipulated divide-and-conquer fashion in helping destroy each other."-"Kirkus Reviews."

Wolf Hall meets The Man in the High Castle in this mind-bending science fiction classic, now presented in an authoritative new edition from Library of America Plucked from time, Sir Thomas More arrives on the human colony of Astrobe in the year 2535 A.D., where there is trouble in utopia: can he and his motley followers save this golden world from the Programmed Persons, and the soulless perfection they have engineered? The survival of faith itself is at stake in this thrilling, uncategorizable, wildly inventive first novel--but the adventure is more than one of ideas. As astonishingly as Philip K. Dick and other visionaries of the 1960s new wave, Lafferty turns the conventions of space-opera science fiction upside-down and inside-out. Here are fractured allegories, tales-within-tales, twinkle-in-the-eye surprises, fantastic byways, and alien subjectivities that take one's breath away. Neil Gaiman has described Lafferty "a genius, an oddball, a madman"; Gene Wolfe calls him "our most original writer." Past Master, long-hailed by insiders and now presented in authoritative form, with an introduction by Andrew Ferguson and unpublished omitted passages included in the notes, deserves to perplex and delight a wider audience.

Four mind-bending novels from science fiction's most transformative decade in a deluxe collector's edition hardcover, including two long out-of-print classics In this second volume of a two-volume set gathering the best American science fiction from the tumultuous 1960s, R. A. Lafferty's quirky and utterly original Past Master, an unjustly neglected classic, imagines Sir Thomas More transported to the colony Astrobe in the year 2535, where he is made president of a future Utopia. In Picnic on Paradise, Joanna Russ presents her indelible heroine, Alyx, who is hired to protect a group of tourists in a hostile alien world. Samuel R. Delany's proto-cyberpunk space opera Nova, reprinted here for the first time in a text corrected by the author, combines the pacing of a revenge story with the arc of a grail-quest legend. Jack Vance's dystopian thriller Emphyrio is the coming-of-age story of Ghyl, who has been raised in a world barring the use of automation but has a strong sense of subversive individualism. The novel has been restored to the author's original text, without later editorial interventions.