|
|
Arts & Crafts > Fine Art Supplies > Pastels
Showing 1 - 25 of
3295 matches in Pastels
Wonderfully dry and dusty stroke, just like charcoal.
Can be dry mixed and blended or used as a water colour.
Brilliant results on dark backgrounds too.
Available in 60 shades, various ranges and also individually.
High pigmentation guarantees great luminosity and opacity as well as colour-fastness and colour brilliance.
The soft lead also draws perfectly on delicate paper.
The wooden shaft protects the lead from breaking.
Stabilo Carbothello : Pastel Pencil Sharpener
These wood cased Pastel Pencils have a soft, powdery texture which produces a velvety smooth finish, ideal for mixing and blending. And because they’re pencils, they’re clean and easy to control. There are 72 colours to choose from.
They contain only the purest medium fine ground artists' pigments, which are in the highest possible concentration. Contrastingly, the binding agent content, is kept to a minimum, which ensures a stable compound. In order to guarantee the highest quality it is necessary to manufacture Schmincke pastels using special recipes which avoid the use of machinery during manufacture. 'Worm extruders' form the pre-kneaded dough into round skeins, which are then detached by hand and cut in a wirestrung frame. The damp sticks have to dry for around eight days before they can be labelled and packed by hand. This is a costly and time consuming process, however it is the only way Schmincke can guarantee homogenous quality and smoothness in all the production cycles.
Wonderfully dry and dusty stroke, just like charcoal.
Can be dry mixed and blended or used as a water colour.
Brilliant results on dark backgrounds too.
Available in 60 shades, various ranges and also individually.
High pigmentation guarantees great luminosity and opacity as well as colour-fastness and colour brilliance.
The soft lead also draws perfectly on delicate paper.
The wooden shaft protects the lead from breaking.
The pastels are made in Northumberland and contain only pure pigments in a cycle of related hues, instead of adding white or black to the colours. The result is intense, vibrant colour not muddied by the blending of colours.
Unison's pastels contain very little binder, making them truly soft and smooth. They are mixed to meticulous recipes and are based on traditional pigments such as cadmiums, cobalts and natural and synthetic earths.
Pastels measure approximately 2-1/8" long × 5/8" diameter (54 mm × 16 mm). Sticks vary slightly due to the hand-making process.
JAS : Diffuser : 100ml empty clear plastic spray bottle
Excellent colour releaseIntense and pure coloursGood to highest degree of lightfastnessVery high colouring power due to high concentration of pigmentFree of pigments based on the metals lead, cadmium and cobalt.The complete range consists of 203 coloursThe composition of soft pastels is such that the colour on the ground approaches that of pure pigment as much as possible. This is achieved through a combination of pigment, a minimal amount of binder and the purest and softest types of kaolin, also referred to as pipe clay or China clay. the balanced proportion of these ingredients results in an as spontaneous as possible colour transfer and a velvety look.
Mount Vision soft pastels are hand made by Karl Kelly using the
finest traditional and synthetic pigments combined with a base of
chalk, talc and clay to produce a pastel with a wonderful buttery
feel, yet durable and strong. Pastel Size: 1/2"x 2 3/4"
Mount Vision soft pastels are hand made by Karl Kelly using the
finest traditional and synthetic pigments combined with a base of
chalk, talc and clay to produce a pastel with a wonderful buttery
feel, yet durable and strong. Pastel Size: 1/2"x 2 3/4"
Excellent colour releaseIntense and pure coloursGood to highest degree of lightfastnessVery high colouring power due to high concentration of pigmentFree of pigments based on the metals lead, cadmium and cobalt.The complete range consists of 203 coloursThe composition of soft pastels is such that the colour on the ground approaches that of pure pigment as much as possible. This is achieved through a combination of pigment, a minimal amount of binder and the purest and softest types of kaolin, also referred to as pipe clay or China clay. the balanced proportion of these ingredients results in an as spontaneous as possible colour transfer and a velvety look.
Wonderfully dry and dusty stroke, just like charcoal.
Can be dry mixed and blended or used as a water colour.
Brilliant results on dark backgrounds too.
Available in 60 shades, various ranges and also individually.
High pigmentation guarantees great luminosity and opacity as well as colour-fastness and colour brilliance.
The soft lead also draws perfectly on delicate paper.
The wooden shaft protects the lead from breaking.
The Sennelier oil pastel is a product that makes use of the components used in all Sennelier colours: top quality pigments, an extremely pure synthetic binding medium and mineral wax. The pigments are ground with an inert, non-siccative binding medium that does not oxidise and that has no effect upon either film stability or surface. This base is then mixed with wax (neutral pH). The balance of this mix provides Sennelier oil pastels with a unique unctuousness and a creamy texture that allows for a great deal of freedom in pictorial expression.
The Sennelier oil pastels possess an extraordinarily high pigment content, thus providing them with a high colouring and covering potential, excellent brightness and a high degree of light stability (with the exception of metallic and fluorescent shades).
The remarkable properties of these components, along with their precise dosage, provide Sennelier oil pastels with unique properties, making the brand a world-recognised reference.
Mount Vision soft pastels are hand made by Karl Kelly using the
finest traditional and synthetic pigments combined with a base of
chalk, talc and clay to produce a pastel with a wonderful buttery
feel, yet durable and strong. Pastel Size: 1/2"x 2 3/4"
Mount Vision soft pastels are hand made by Karl Kelly using the
finest traditional and synthetic pigments combined with a base of
chalk, talc and clay to produce a pastel with a wonderful buttery
feel, yet durable and strong. Pastel Size: 1/2"x 2 3/4"
The Sennelier oil pastel is a product that makes use of the components used in all Sennelier colours: top quality pigments, an extremely pure synthetic binding medium and mineral wax. The pigments are ground with an inert, non-siccative binding medium that does not oxidise and that has no effect upon either film stability or surface. This base is then mixed with wax (neutral pH). The balance of this mix provides Sennelier oil pastels with a unique unctuousness and a creamy texture that allows for a great deal of freedom in pictorial expression.
The Sennelier oil pastels possess an extraordinarily high pigment content, thus providing them with a high colouring and covering potential, excellent brightness and a high degree of light stability (with the exception of metallic and fluorescent shades).
The remarkable properties of these components, along with their precise dosage, provide Sennelier oil pastels with unique properties, making the brand a world-recognised reference.
Wonderfully dry and dusty stroke, just like charcoal.
Can be dry mixed and blended or used as a water colour.
Brilliant results on dark backgrounds too.
Available in 60 shades, various ranges and also individually.
High pigmentation guarantees great luminosity and opacity as well as colour-fastness and colour brilliance.
The soft lead also draws perfectly on delicate paper.
The wooden shaft protects the lead from breaking.
All tones are made up of delicate shade gradients, tending towards white.Their comfortable handling and large contact surface allow large areas to be covered with a high degree of regularity.
Wonderfully dry and dusty stroke, just like charcoal.
Can be dry mixed and blended or used as a water colour.
Brilliant results on dark backgrounds too.
Available in 60 shades, various ranges and also individually.
High pigmentation guarantees great luminosity and opacity as well as colour-fastness and colour brilliance.
The soft lead also draws perfectly on delicate paper.
The wooden shaft protects the lead from breaking.
The Sennelier oil pastel is a product that makes use of the components used in all Sennelier colours: top quality pigments, an extremely pure synthetic binding medium and mineral wax. The pigments are ground with an inert, non-siccative binding medium that does not oxidise and that has no effect upon either film stability or surface. This base is then mixed with wax (neutral pH). The balance of this mix provides Sennelier oil pastels with a unique unctuousness and a creamy texture that allows for a great deal of freedom in pictorial expression.
The Sennelier oil pastels possess an extraordinarily high pigment content, thus providing them with a high colouring and covering potential, excellent brightness and a high degree of light stability (with the exception of metallic and fluorescent shades).
The remarkable properties of these components, along with their precise dosage, provide Sennelier oil pastels with unique properties, making the brand a world-recognised reference.
Rembrandt soft pastels owe their quality to the close collaboration with professional artists, combined with traditional expertise and more than a century of experience in the manufacture of pastels. Each colour is made according to a unique formula and the necessary raw materials go through very strict controls for each new batch. Rembrandt pastels have for many years been the most commonly used pastels in the world, in part due to their unique characteristics. The softness has been chosen so that the pastels can easily transfer their colour while at the same time not fall apart or turn to powder. The Rembrandt pastels owe their very high coloured intensity and colour purity to the superior choice of pigments and the high pigment concentration. Only through a strict selection of the pigments used can the best combination of the characteristics be achieved. No harmful pigments are used.
The colour numbers followed by '-5' are the pure pigment. The colour numbers which have a '-3' after them have some black mixed in. Higher numbers such as '-7', '8' and '-9' indicate that the pastels have white mixed in.
Contents Include:
100-5 White, 205-8 Lemon Yellow, 205-5 Lemon Yellow, 201-7 Light Yellow, 201-5 Light Yellow, 202-7 Deep Yellow, 202-5 Deep Yellow, 236-9 Light Orange, 236-5 Light Orange, 235-8 Orange, 235-5 Orange, 372-5 Permanent Red 331-7 Madder Lake Deep, 331-5 Madder Lake Deep, 318-8 Carmine, 397-9 Permanent Rose, 545-5 Red Violet, 545-3 Red Violet, 536-9 Violet, 548-7 Blue Violet, 506-7 Ultramarine Deep, 506-5 Ultramarine Deep, 505-9 Ultramarine Light, 508-7 Prussian Blue, 570-5 Phthalo Blue, 640-9 Bluish Green, 640-7 Bluish Green, 619-5 Permanent Green Deep, 675-8 Phthalo Green 675-5 Phthalo Green 627-5 Cinnabar Green Deep, 627-3 Cinnabar Green Deep, 618-9 Permanent 618-5 Permanent Green Light, 626-9 Cinnabar Green Light, 626-5 Cinnabar Green Light, 626-3 Cinnabar Green Light, 620-7 Olive Green, 620-5 Olive Green, 620-3 Olive Green, 227-9 Yellow Ochre, 227-7 Yellow Ochre, 227-5 Yellow Ochre, 234-5 Raw Sienna, 231-7 Gold Ochre, 411-9 Burnt Sienna, 411-7 Burnt Sienna, 411-5 Burnt Sienna, 409-9 Burnt Umber, 409-7 Burnt Umber, 409-5 Burnt Umber, 538-5 Mars Violet, 408-9 Raw Umber, 408-7 Raw Umber, 408-5 Raw Umber, 704-8 Grey, 704-5 Grey, 727-8 Bluish Grey 727-5 Bluish Grey and 700-5 Black.
Soft and velvety texture
Does not powder, does not dry out
Range of 96 brilliant colours with good coverage
Lightfastness
Soluble in turpentine, water-resistant
Good thermal stability
Stumping and mixed dry with finger
Rembrandt soft pastels owe their quality to the close collaboration with professional artists, combined with traditional expertise and more than a century of experience in the manufacture of pastels. Each colour is made according to a unique formula and the necessary raw materials go through very strict controls for each new batch. Rembrandt pastels have for many years been the most commonly used pastels in the world, in part due to their unique characteristics. The softness has been chosen so that the pastels can easily transfer their colour while at the same time not fall apart or turn to powder. The Rembrandt pastels owe their very high coloured intensity and colour purity to the superior choice of pigments and the high pigment concentration. Only through a strict selection of the pigments used can the best combination of the characteristics be achieved. No harmful pigments are used. The colour numbers followed by .5 are the pure pigment. .3 has some black mixed in a higher numbers have white mixed in.
Colours in the set:
WHITE 5
LEMON YELLOW 5
LEMON YELLOW 8
LEMON YELLOW 9
LIGHT YELLOW 5
LIGHT YELLOW 7
LIGHT YELLOW 8
DEEP YELLOW 3
DEEP YELLOW 5
DEEP YELLOW 7
DEEP YELLOW 9
DEEP YELLOW 12
LIGHT ORANGE 5
LIGHT ORANGE 9
ORANGE 5
ORANGE 8
PERMANENT RED LT.7
PERMANENT RED 5
PERMANENT RED 10
PERMANENT RED DP.9
CARMINE 5
CARMINE 8
MADDER LAKE DEEP 3
MADDER LAKE DEEP 5
MADDER LAKE DEEP 7
PERMANENT ROSE 9
RED VIOLET 3
RED VIOLET 5
VIOLET 7
VIOLET 9
BLUE VIOLET 3
BLUE VIOLET 5
BLUE VIOLET 7
ULTRAMARINE DEEP 3
ULTRAMARINE DEEP 5
ULTRAMARINE DEEP 7
ULTRAMARINE LIGHT 8
ULTRAMARINE LIGHT 9
PRUSSIAN BLUE 7
PRUSSIAN BLUE 8
PHTHALO BLUE 5
PHTHALO BLUE 7
TURQUOISE BLUE 3
TURQUOISE BLUE 5
TURQUOISE BLUE 10
BLUISH GREEN 7
BLUISH GREEN 9
CINNABAR GREEN DP.3
CINNABAR GREEN DP.5
PERMANENT GREEN DP.5
PERMANENT GREEN DP.9
PHTHALO GREEN 5
PHTHALO GREEN 8
PERMANENT GREEN LT.5
PERMANENT GREEN LT.9
CINNABAR GREEN LT.3
CINNABAR GREEN LT.5
CINNABAR GREEN LT.9
CINNABAR GREEN LT.10
PERM.YELLOW GREEN 5
PERM.YELLOW GREEN 9
OLIVE GREEN 3
OLIVE GREEN 5
OLIVE GREEN 7
OLIVE GREEN 10
YELLOW OCHRE 5
YELLOW OCHRE 7
RAW SIENNA 5
GOLD OCHRE 5
GOLD OCHRE 7
GOLD OCHRE 10
RAW UMBER 5
RAW UMBER 7
RAW UMBER 9
BURNT SIENNA 3
BURNT SIENNA 5
BURNT SIENNA 7
BURNT SIENNA 9
CAPUT MORTUUM RED 5
INDIAN RED 5
MARS VIOLET 5
BURNT UMBER 3
BURNT UMBER 5
BURNT UMBER 7
BURNT UMBER 9
GREY 5
GREY 8
BLUISH GREY 5
BLUISH GREY 8
BLACK 5
The Sennelier oil pastel is a product that makes use of the components used in all Sennelier colours: top quality pigments, an extremely pure synthetic binding medium and mineral wax. The pigments are ground with an inert, non-siccative binding medium that does not oxidise and that has no effect upon either film stability or surface. This base is then mixed with wax (neutral pH). The balance of this mix provides Sennelier oil pastels with a unique unctuousness and a creamy texture that allows for a great deal of freedom in pictorial expression.
The Sennelier oil pastels possess an extraordinarily high pigment content, thus providing them with a high colouring and covering potential, excellent brightness and a high degree of light stability (with the exception of metallic and fluorescent shades).
The remarkable properties of these components, along with their precise dosage, provide Sennelier oil pastels with unique properties, making the brand a world-recognised reference.
Pastelmat is a premium card surface (360gsm / 170lb) specially developed for pastelists. Its unique velvety surface, made from a fine coating of cellulose fibers, has the ability to grab and hold multiple layers of even the softest pastels.
Pastelmat significantly reduces the need for fixative, which means that colors remain vibrant and fresh once applied. It has the added bonus of being gentle on both fingers and blending tools. It is acid free and lightfast.
Pastelmat is ideal for use with all dry media - pastel sticks, PanPastel, pencils and charcoal. It is also water resistant which means that it can be used with wet media – such as acrylics and watercolor for washes and mixed media techniques.
|
|
