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CHAPTER III. THE TRANSITION FROM CLASSICISM TO NATURALISM. General
state of sculpture in Italy at the death of Bartolini. ? Relations
of the leading sculptors at Florence and Rome with Bartolini and
with Thorvaldsen. ? Distinction between the style of Thorvaldsen
and that of Canova. ? Influence of the former on Tenerani. ? Tene-
rani's early training. ? The relations between Tenerani and
Thorvaldsen. ? Works produced by Tenerani while under the direct
influence of the Danish sculptor. ? Reliefs by Tenerani; the
Descent from the Cross. ? Statues of Orloff and Bolivar and the
rare excellence of the latter. ? Tenerani's journey abroad in 1844.
? Monument to Pius VIII in St. Peter's.?Statue of Pellegrino
Rossi.? Sculpture in other parts of Italy; to what extent
influenced by Bartolini and to what extent by Tenerani. ? Luigi
Pampaloni and his work. ? Pio Fedi and the Polyxena group. ?
Giovanni Diipri and the quality of his talent. ? The recumbent
statue of Abel. ? The Piet. ? Dupr's sensitiveness to external
influences. ? The Cavour monument. ? Last works. ? Sculpture at
Genoa during this period. ?The Columbus monument. ? Pietro Freccia
and the other collaborating sculptors. ? Santo Varni and his work.
? Sculpture at Milan during this period. ? Benedetto Cacciatori, ?
Commissions executed for the Sardinian royal family. ? Cacciatori's
works at Milan. ? He is retired from his professorship at the Milan
Academy and succeeded by younger men. ? Sculpture at Turin during
this period. ? Carlo Marochelti. ? His early studies and first
success at the Salon. ? Statue of Emanuele Filiberto and its
popularity at Turin. ? Statue of Carlo Alberto. ? Other works of
Marochetti. When Bartolini died the most eminent sculptors in Italy
were Tenerani at Rome and Dupr at Florence. Marchesi w...
|Country of origin:
Ashton Rollins Willard
||246 x 189 x 7mm (L x W x T)
||Paperback - Trade
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