Child Actors on the London Stage, Circa 1600 - Their Education, Recruitment and Theatrical Success (Hardcover)


*Child Actors on the London Stage, c 1600 by Julie Ackroyd has been shortlisted for the Society for Theatre Researchs Book prize! Actor and playwright Rory Kinnear (National Theatre, RSC, James Bond franchise) will announce who has won the STR Theatre Book Prize for books published in 2017 and make the presentation at the historic Theatre Royal, Drury Lane, on Thursday 21 June 2018.* A legal document dated 1600, for a Star Chamber case titled Clifton versus Robinson, details how boys were abducted from London streets and forcibly held in order to train them as actors for the Blackfriars theatre. No adults were seen on-stage in this theatre, which was stocked solely by acting boys, resulting in a satirical and scurrilous method of play presentation. Were the boys specifically targeted for skills they may have possessed which would have been applicable to this type of play presentation? And, was this method of recruitment typical or atypical of Elizabethan theatre? Analysis of the background of the boy subjects of the legal case indicate that several had received grammar-school tuition and, as a result, would have possessed skills in oration and rhetoric. Indeed, a significant number of the grammar schools in London provided regular public disputations and theatrical performances which would have made these boys an attractive proposition for inclusion in a theatrical company. The styles of play-texts which the boys performed and their manner of presenting characters helps to assess why child acting companies were commercially viable and popular. Their portrayal of all roles in a performance; young and old, male and female, clearly demonstrated their versatility and skill in mimicry and the adoption of other personas. Therefore the taking of grammar-school boys for re-training as actors was not opportunistic; their abductions were planned. The theatre owners undertook this method of recruitment as they felt that they were immune from prosecution due to holding royal commissions which they used to recruit boys. However, the Clifton vs. Robinson case clearly demonstrates that a determined parent whose child had been taken could challenge this and demand reparation.

R3,519

Or split into 4x interest-free payments of 25% on orders over R50
Learn more

Discovery Miles35190
Mobicred@R330pm x 12* Mobicred Info
Free Delivery
Delivery AdviceShips in 12 - 17 working days


Toggle WishListAdd to wish list
Review this Item

Product Description

*Child Actors on the London Stage, c 1600 by Julie Ackroyd has been shortlisted for the Society for Theatre Researchs Book prize! Actor and playwright Rory Kinnear (National Theatre, RSC, James Bond franchise) will announce who has won the STR Theatre Book Prize for books published in 2017 and make the presentation at the historic Theatre Royal, Drury Lane, on Thursday 21 June 2018.* A legal document dated 1600, for a Star Chamber case titled Clifton versus Robinson, details how boys were abducted from London streets and forcibly held in order to train them as actors for the Blackfriars theatre. No adults were seen on-stage in this theatre, which was stocked solely by acting boys, resulting in a satirical and scurrilous method of play presentation. Were the boys specifically targeted for skills they may have possessed which would have been applicable to this type of play presentation? And, was this method of recruitment typical or atypical of Elizabethan theatre? Analysis of the background of the boy subjects of the legal case indicate that several had received grammar-school tuition and, as a result, would have possessed skills in oration and rhetoric. Indeed, a significant number of the grammar schools in London provided regular public disputations and theatrical performances which would have made these boys an attractive proposition for inclusion in a theatrical company. The styles of play-texts which the boys performed and their manner of presenting characters helps to assess why child acting companies were commercially viable and popular. Their portrayal of all roles in a performance; young and old, male and female, clearly demonstrated their versatility and skill in mimicry and the adoption of other personas. Therefore the taking of grammar-school boys for re-training as actors was not opportunistic; their abductions were planned. The theatre owners undertook this method of recruitment as they felt that they were immune from prosecution due to holding royal commissions which they used to recruit boys. However, the Clifton vs. Robinson case clearly demonstrates that a determined parent whose child had been taken could challenge this and demand reparation.

Customer Reviews

No reviews or ratings yet - be the first to create one!

Product Details

General

Imprint

Sussex Academic Press

Country of origin

United Kingdom

Release date

2017

Availability

Expected to ship within 12 - 17 working days

Authors

Dimensions

229 x 152 x 24mm (L x W x T)

Format

Hardcover

Pages

240

ISBN-13

978-1-84519-848-0

Barcode

9781845198480

Categories

LSN

1-84519-848-4



Trending On Loot