The Fierce Urgency of Now - Improvisation, Rights, and the Ethics of Cocreation (Hardcover, New)

, ,
"The Fierce Urgency of Now" links musical improvisation to struggles for social change, focusing on the connections between the improvisation associated with jazz and the dynamics of human rights struggles and discourses. The authors acknowledge that at first glance improvisation and rights seem to belong to incommensurable areas of human endeavor. Improvisation connotes practices that are spontaneous, personal, local, immediate, expressive, ephemeral, and even accidental, while rights refer to formal standards of acceptable human conduct, rules that are permanent, impersonal, universal, abstract, and inflexible. Yet the authors not only suggest that improvisation and rights "can "be connected; they insist that they "must" be connected.

Improvisation is the creation and development of new, unexpected, and productive cocreative relations among people. It cultivates the capacity to discern elements of possibility, potential, hope, and promise where none are readily apparent. Improvisers work with the tools they have in the arenas that are open to them. Proceeding without a written score or script, they collaborate to envision and enact something new, to enrich their experience in the world by acting on it and changing it. By analyzing the dynamics of particular artistic improvisations, mostly by contemporary American jazz musicians, the authors reveal improvisation as a viable and urgently needed model for social change. In the process, they rethink politics, music, and the connections between them.


R2,552
List Price R2,686

Or split into 4x interest-free payments of 25% on orders over R50
Learn more

Discovery Miles25520
Mobicred@R239pm x 12* Mobicred Info
Free Delivery
Delivery AdviceShips in 12 - 17 working days


Toggle WishListAdd to wish list
Review this Item

Product Description

"The Fierce Urgency of Now" links musical improvisation to struggles for social change, focusing on the connections between the improvisation associated with jazz and the dynamics of human rights struggles and discourses. The authors acknowledge that at first glance improvisation and rights seem to belong to incommensurable areas of human endeavor. Improvisation connotes practices that are spontaneous, personal, local, immediate, expressive, ephemeral, and even accidental, while rights refer to formal standards of acceptable human conduct, rules that are permanent, impersonal, universal, abstract, and inflexible. Yet the authors not only suggest that improvisation and rights "can "be connected; they insist that they "must" be connected.

Improvisation is the creation and development of new, unexpected, and productive cocreative relations among people. It cultivates the capacity to discern elements of possibility, potential, hope, and promise where none are readily apparent. Improvisers work with the tools they have in the arenas that are open to them. Proceeding without a written score or script, they collaborate to envision and enact something new, to enrich their experience in the world by acting on it and changing it. By analyzing the dynamics of particular artistic improvisations, mostly by contemporary American jazz musicians, the authors reveal improvisation as a viable and urgently needed model for social change. In the process, they rethink politics, music, and the connections between them.

Customer Reviews

No reviews or ratings yet - be the first to create one!

Product Details

General

Imprint

Duke University Press

Country of origin

United States

Series

Improvisation, Community, and Social Practice

Release date

June 2013

Availability

Expected to ship within 12 - 17 working days

First published

June 2013

Authors

, ,

Dimensions

234 x 163 x 23mm (L x W x T)

Format

Hardcover - Cloth over boards

Pages

328

Edition

New

ISBN-13

978-0-8223-5464-2

Barcode

9780822354642

Categories

LSN

0-8223-5464-0



Trending On Loot