Lubitsch Can't Wait - A Collection of Ten Philosophical Discussions on Ernst Lubitsch's Film Comedy (Paperback)

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Ernst Lubitsch, the great author of Hollywood comedy and pioneer of such genres as thesophisticated romantic comedy, the musical, and the screwball comedy, is a relatively overlooked figure in mainstream film theory. In this collection, renowned world thinkers and philosophers position Lubitsch as the premium director of subversive cinema, reflecting on his attitude toward love and politics which correspond to contemporary issues.Followers of the Hegelian, Marxist, Freudian, Lacanian, and Deleuzian traditions discuss thephilosophical, political, and ethical dimensions of Lubitsch's late Hollywood work. They focus on love as stealing, the ethics of style, and comedy in times of austerity in the director's masterpiece, "Trouble in Paradise" (1932); answer the question of why comedy is always polygamous; discuss links between masochism, melancholia, and ideology in "Ninotchka"(1939); celebrate the ethical gesture of comedy in "To Be or Not to Be" (1942); and promote the revolutionary comic spirit of Lubitsch's last directorial effort, "Cluny Brown" (1946). These essays' witty, subversive, and provocative approaches highlight Lubitsch's unique understanding of love, sex, comedy, and politics and idiosyncratic conception of totalitarian"nightmares" and capitalistic "paradise," countering the non-dialectic and politically correct discourse of mainstream and independent cinema today.


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Ernst Lubitsch, the great author of Hollywood comedy and pioneer of such genres as thesophisticated romantic comedy, the musical, and the screwball comedy, is a relatively overlooked figure in mainstream film theory. In this collection, renowned world thinkers and philosophers position Lubitsch as the premium director of subversive cinema, reflecting on his attitude toward love and politics which correspond to contemporary issues.Followers of the Hegelian, Marxist, Freudian, Lacanian, and Deleuzian traditions discuss thephilosophical, political, and ethical dimensions of Lubitsch's late Hollywood work. They focus on love as stealing, the ethics of style, and comedy in times of austerity in the director's masterpiece, "Trouble in Paradise" (1932); answer the question of why comedy is always polygamous; discuss links between masochism, melancholia, and ideology in "Ninotchka"(1939); celebrate the ethical gesture of comedy in "To Be or Not to Be" (1942); and promote the revolutionary comic spirit of Lubitsch's last directorial effort, "Cluny Brown" (1946). These essays' witty, subversive, and provocative approaches highlight Lubitsch's unique understanding of love, sex, comedy, and politics and idiosyncratic conception of totalitarian"nightmares" and capitalistic "paradise," countering the non-dialectic and politically correct discourse of mainstream and independent cinema today.

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Product Details

General

Imprint

Slovenska kinoteka

Country of origin

Slovenia

Release date

October 2014

Availability

Expected to ship within 12 - 17 working days

First published

July 2014

Authors

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Dimensions

217 x 150 x 15mm (L x W x T)

Format

Paperback

Pages

240

ISBN-13

978-961-64-1784-6

Barcode

9789616417846

Categories

LSN

961-64-1784-3



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