This book consists of one singular story which fades into others;
an ensemble of passions whose few characters resound through echoes
and recollections. The images shade into other images, in
alternating states, throughout words that attempt to decode the
multiple ingenious glances of a peculiar camera, whose lenses have
been shattered. This is not a film script, but cinematic views
characterized by perception-words, where masculine and feminine
forces, both filmmakers, perpetually transmute throughout the
movements of the shading stories inside the oscillations of time,
mutually connected by the lack of recollections which ineffably
link them into deep nostalgia. Time and again, the characters
resent love, due to the vicissitudes of their mid-life crises,
despite their hidden and strong desires to fall in love eternally.
During the shots of the scenes, the camera grasps the tensions
of the characters attempting to escape from the amorous love,
regardless of their necessities to dream and live out of the
tension between passion and their own intimate times, which is
never completely present. These stories will not become films, and
whatever has been filmed will not be simply turned into linguistic
signs, for the words here are the results of intersecting
intensities, whose articulations build an incorporeal reality, the
poetry of the multidimensional eyes of the camera, the shattered
glances of a camera.
|Country of origin:
Jacqueline Reino Zanini
||Electronic book text - Windows
Genre fiction >
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