Theorizing the Moving Image brings together a selection of essays
written by one of the leading critics of film over the past two
decades. In this volume, Noel Carroll examines theoretical aspects
of film and television through penetrating analyses of such genres
as soap opera, documentary, and comedy, and such topics as sight
gags, film metaphor, point-of-view editing, and movie music.
Throughout, individual films are considered in depth. Carroll's
essays, moreover, represent the cognitivist turn in film studies,
containing in-depth criticism of existing approaches to film
theory, and heralding a new approach to film theory.
Cambridge University Press (Virtual Publishing)
|Country of origin:
||Cambridge Studies in Film
||Electronic book text
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