Camilla. An opera. As it is perform'd at the Theatre Royal in Drury-Lane, by Her Majesty's servants. (Paperback)


The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryN026626Translated by Peter Motteux and put into verse by Mr. Northman from 'Il trionfo di Camilla' of Silvio Stampiglia, which was performed and published in Naples in 1696. Editor's dedication signed: Owen Swiny. With an epilogue. Without the music by GiovanLondon: printed for Jacob Tonson, 1706. 6],38, 2]p.; 4

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The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryN026626Translated by Peter Motteux and put into verse by Mr. Northman from 'Il trionfo di Camilla' of Silvio Stampiglia, which was performed and published in Naples in 1696. Editor's dedication signed: Owen Swiny. With an epilogue. Without the music by GiovanLondon: printed for Jacob Tonson, 1706. 6],38, 2]p.; 4

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Product Details

General

Imprint

Gale Ecco, Print Editions

Country of origin

United States

Release date

May 2010

Availability

Supplier out of stock. If you add this item to your wish list we will let you know when it becomes available.

Authors

Dimensions

246 x 189 x 3mm (L x W x T)

Format

Paperback - Trade

Pages

52

ISBN-13

978-1-170-38798-6

Barcode

9781170387986

Categories

LSN

1-170-38798-5



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