This book sets out from the question: why have so many western
theatre workers come to India and what were they looking for? What
is it that seemed to be lacking in western performance and
understanding of the nature and function of theatre? Locating
Indian theatre as a major site of reappraisal and renewal both in
India and in the world of performance, the book presents both a
picture of traditional and contemporary theatre in India and an
examination of its processes and practice. This study questions the
generative processes which impel theatre, the 'transformation' of
individuals and groups through performance and the performative
dynamics of 'self' and 'other'.
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