Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 62. Chapters: Fair use, Broadcast Music Incorporated, Copyright in architecture in the United States, First-sale doctrine, Public domain in the United States, Substantial similarity, Transformativeness, RealNetworks, Inc. v. DVD Copy Control Association, Inc., SoundExchange, Bilateral copyright agreements of the United States, Orphan works in the United States, Edict of government, Asset Marketing Systems, Inc. v. Gagnon, Copyright status of work by the U.S. government, Abstraction-Filtration-Comparison test, Copyright Catalog, United States Copyright Office, United States copyright law in the performing arts, Barbara Ringer, Thorvald Solberg, Digital Performance Right in Sound Recordings Act, Copyright Royalty Board, Film Superlist, Performance Rights Act, SESAC, Ralph Oman, Copyright symbol, Copyright status of work by the Florida government, Berne Convention Implementation Act of 1988, Richard Crosby De Wolf, Clement Lincoln Bouve, Book Rights Registry, Limitations on exclusive rights: Computer programs, Greenberg v. National Geographic, Analytic dissection, Copyright notice, Sam Bass Warner, Compendium II: Copyright Office Practices, Register of Copyrights, Inducement rule, William Lincoln Brown, Sound recording copyright symbol, Doctrine of indivisibility, Database and Collections of Information Misappropriation Act, Statutory damages for copyright infringement, Treloar Copyright Bill, Content Protection Status Report, CONTU, Artists Authorship Rights Act, Designated agent. Excerpt: The copyright law of the United States governs the legally enforceable rights of creative and artistic works under the laws of the United States. Copyright law in the United States is part of federal law, and is authorized by the U.S. Constitution. The power to enact copyright law is granted in Article I, Section 8, Clause 8, also known as the Co...