The Art of the Saracens in Egypt (Hardcover, Facsimile edition)


This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1888 edition. Excerpt: ...was, moreover, natural that the Copts, the old inhabitants of Egypt, should have early discovered the method of defeating the warping tendencies of their hot climate by means of a minute subdivision into panels. Taking these various considerations, it is not so rash as it seemed to assume that the art of carving panels in the style characteristic of Coptic screens and Muslim pulpits was native to Egypt, and was the special property of the Copts. The Coptic churches also contain some examples of figure carving, somewhat resembling the hunting figures of Mosil metalwork. A noble triforium screen in the church of St. Barbara, and another in the church of St. Sergius (Abu-Sargah), in Old Cairo, are decorated with warrior saints and beasts much after the model of the horsemen of Mesopotamian art. There may of course be a connection between these and Kalaun's panels, described above, but it is not necessary to trace the two to the same source. There can be no doubt of the Mesopotamian origin of Kalaun's carvings; but those of St. Sergius may not improbably be directly derived FIG. 56.--LATTICE-WORK. (South Kensington Museum.) from Byzantine models, with which they show more affinity than with the Mosil style. Had these carvings been derived from the Mesopotamian school, we should expect to find a prevailing hunting character, interspersed with scenes of festivity, wine-cups, and musical instruments; instead of which the subjects are principally warrior saints of the Byzantine style, and the beasts that accompany them may be due as much to the animal decoration of the Lower Empire as to the hunting-scenes of Persian art. The St. Barbara carvings, however, closely resemble Mosil work, and have even the winged centaur. It is, after all, merely a...

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Product Description

This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1888 edition. Excerpt: ...was, moreover, natural that the Copts, the old inhabitants of Egypt, should have early discovered the method of defeating the warping tendencies of their hot climate by means of a minute subdivision into panels. Taking these various considerations, it is not so rash as it seemed to assume that the art of carving panels in the style characteristic of Coptic screens and Muslim pulpits was native to Egypt, and was the special property of the Copts. The Coptic churches also contain some examples of figure carving, somewhat resembling the hunting figures of Mosil metalwork. A noble triforium screen in the church of St. Barbara, and another in the church of St. Sergius (Abu-Sargah), in Old Cairo, are decorated with warrior saints and beasts much after the model of the horsemen of Mesopotamian art. There may of course be a connection between these and Kalaun's panels, described above, but it is not necessary to trace the two to the same source. There can be no doubt of the Mesopotamian origin of Kalaun's carvings; but those of St. Sergius may not improbably be directly derived FIG. 56.--LATTICE-WORK. (South Kensington Museum.) from Byzantine models, with which they show more affinity than with the Mosil style. Had these carvings been derived from the Mesopotamian school, we should expect to find a prevailing hunting character, interspersed with scenes of festivity, wine-cups, and musical instruments; instead of which the subjects are principally warrior saints of the Byzantine style, and the beasts that accompany them may be due as much to the animal decoration of the Lower Empire as to the hunting-scenes of Persian art. The St. Barbara carvings, however, closely resemble Mosil work, and have even the winged centaur. It is, after all, merely a...

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Product Details

General

Imprint

Darf Publishers Ltd

Country of origin

United Kingdom

Release date

1993

Availability

Expected to ship within 12 - 17 working days

Authors

Dimensions

230mm (L)

Format

Hardcover

Pages

275

Edition

Facsimile edition

ISBN-13

978-1-85077-142-5

Barcode

9781850771425

Categories

LSN

1-85077-142-1



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