The Pan-African Nation (Paperback, 2nd Ed.)


When Nigeria hosted the Second World Black and African Festival of Arts and Culture (FESTAC) in 1977, it celebrated a global vision of black nationhood and citizenship animated by the exuberance of its recent oil boom. Andrew Apter's "The Pan-African Nation" tells the fascinating story of this cultural extravaganza, from Nigeria's spectacular rebirth as a rapidly developing petro-state to its dramatic demise when the boom went bust.
According to Apter, FESTAC expanded the horizons of blackness in Nigeria to mirror the global circuits of its economy. By showcasing masks, dances, images, and souvenirs from many of its diverse ethnic groups, Nigeria forged a new national culture. In the grandeur of this oil-fed confidence, the nation subsumed all black and African cultures within its empire of cultural signs, and erased its colonial legacies from collective memory. As the oil economy collapsed, however, cultural signs became unstable, contributing to rampant violence and dissimulation.
"The Pan-African Nation "unpacks FESTAC as a historically situated mirror of production in Nigeria. More broadly, it points toward a critique of the political economy of the sign in postcolonial Africa.

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Product Description

When Nigeria hosted the Second World Black and African Festival of Arts and Culture (FESTAC) in 1977, it celebrated a global vision of black nationhood and citizenship animated by the exuberance of its recent oil boom. Andrew Apter's "The Pan-African Nation" tells the fascinating story of this cultural extravaganza, from Nigeria's spectacular rebirth as a rapidly developing petro-state to its dramatic demise when the boom went bust.
According to Apter, FESTAC expanded the horizons of blackness in Nigeria to mirror the global circuits of its economy. By showcasing masks, dances, images, and souvenirs from many of its diverse ethnic groups, Nigeria forged a new national culture. In the grandeur of this oil-fed confidence, the nation subsumed all black and African cultures within its empire of cultural signs, and erased its colonial legacies from collective memory. As the oil economy collapsed, however, cultural signs became unstable, contributing to rampant violence and dissimulation.
"The Pan-African Nation "unpacks FESTAC as a historically situated mirror of production in Nigeria. More broadly, it points toward a critique of the political economy of the sign in postcolonial Africa.

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Product Details

General

Imprint

University of Chicago Press

Country of origin

United States

Release date

March 2005

Availability

Expected to ship within 12 - 17 working days

First published

March 2005

Authors

Dimensions

229 x 152 x 19mm (L x W x T)

Format

Paperback

Pages

334

Edition

2nd Ed.

ISBN-13

978-0-226-02355-7

Barcode

9780226023557

Categories

LSN

0-226-02355-9



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