Kapitel: Concert Spirituel, Vingt-Quatre Violons Du Roy, Ensemble Intercontemporain, Les Musiciens Du Louvre, Straburger Philharmoniker, Orchestre National de France, Orchestre de Paris, Les Arts Florissants. Aus Wikipedia. Nicht dargestellt. Auszug: The Concert spirituel was one of the first public concert series in existence. The concerts began in Paris in 1725 and ended in 1790; later, concerts or series of concerts of the same name occurred in Paris, Vienna, London and elsewhere. The series was founded to provide entertainment during Lent and on religious holidays when the other spectacles (the Paris Opera, Comdie-Franaise, and Comdie-Italienne) were closed. The programs featured a mixture of sacred choral works and virtuosic instrumental pieces, and for many years took place in a magnificently-decorated Salle des Cent Suisses (Hall of the Hundred Swiss Guards) in the Tuileries Palace. They started at six o'clock in the evening and were primarily attended by well-to-do bourgeois, the lower aristocracy, and foreign visitors. In 1784 the concerts were moved to the stage area of the Salle des Machines (an enormous former opera house in the Tuileries), and in 1790, when the royal family was confined in the Tuileries, they took place in a Paris theater. The series was managed by a succession of director-enterpreneurs, who paid a license fee in order to obtain a royal privilege which granted them an exception to the monopoly on public performance of music held by the Paris Opera (Acadmie Royale de Musique). The first director was Anne Danican Philidor, brother of the composer and chess master Franois-Andr Danican Philidor. Philidor went bankrupt within two years. His successors Pierre Simart and Jean-Joseph Mouret (1728-1733) expanded the operation with a series of "French Concerts," but met the same unhappy fate. Because no one was willing to take their place, the series was administered by the Acadmie Royale de Musiqu...http://booksllc.net/?l=de