Edward Elgar, Modernist - Music in the Twentieth Century, 20 (Hardcover, New)


The first full-length analytical study of Edward Elgar's music, this book argues that Elgar was a modernist composer, and that his music constitutes a pessimistic twentieth-century assessment of the nature of human being. Focusing on Elgar's music rather than his life, Harper-Scott blends the hermeneutic and existential philosophy of Martin Heidegger with music-analytical methods derived from Heinrich Schenker and James Hepokoski. In the course of engaging with debates centred on duotonality in musical structures, sonata deformations, meaning in music, the nature of tragedy, and the quest narrative, the book rejects poststructuralist and literary-theoretical interpretations of music, radically interprets Schenkerian theory, and tentatively outlines a new space - a Heideggerian 'clearing' - in which music of all periods can be understood to operate, be experienced, and be understood. The book includes a detailed glossary which provides the reader with clear definitions of important and difficult terms.

R2,722

Or split into 4x interest-free payments of 25% on orders over R50
Learn more

Discovery Miles27220
Mobicred@R255pm x 12* Mobicred Info
Free Delivery
Delivery AdviceShips in 12 - 17 working days


Toggle WishListAdd to wish list
Review this Item

Product Description

The first full-length analytical study of Edward Elgar's music, this book argues that Elgar was a modernist composer, and that his music constitutes a pessimistic twentieth-century assessment of the nature of human being. Focusing on Elgar's music rather than his life, Harper-Scott blends the hermeneutic and existential philosophy of Martin Heidegger with music-analytical methods derived from Heinrich Schenker and James Hepokoski. In the course of engaging with debates centred on duotonality in musical structures, sonata deformations, meaning in music, the nature of tragedy, and the quest narrative, the book rejects poststructuralist and literary-theoretical interpretations of music, radically interprets Schenkerian theory, and tentatively outlines a new space - a Heideggerian 'clearing' - in which music of all periods can be understood to operate, be experienced, and be understood. The book includes a detailed glossary which provides the reader with clear definitions of important and difficult terms.

Customer Reviews

No reviews or ratings yet - be the first to create one!

Product Details

General

Imprint

Cambridge UniversityPress

Country of origin

United Kingdom

Release date

August 2006

Availability

Expected to ship within 12 - 17 working days

First published

2006

Authors

Dimensions

244 x 170 x 16mm (L x W x T)

Format

Hardcover

Pages

270

Edition

New

ISBN-13

978-0-521-86200-4

Barcode

9780521862004

Categories

LSN

0-521-86200-0



Trending On Loot