John Waters - Interviews (Hardcover)


The films of John Waters (b. 1946) are some of the most powerful send-ups of conventional film forms and expectations since Luis Bu-uel and Salvador Dali's "Un Chien Andalou." In attempting to reinvigorate the experience of movie-going with his shock comedy, Waters has been willing to take the chance of offending nearly everyone. His characters have great dignity and resourcefulness, taking what's different or unacceptable or grotesque about themselves, heightening it and turning it into a handmade personal style. The interviews collected here span Waters's career from 1965 to 2010 and include a new one exclusive to this edition.

Waters began making films in his hometown of Baltimore in 1964. Demonstrating an innate talent at capturing the hideous and crude and elevating it to art, he reached international acclaim with his outrageous shock comedy "Pink Flamingos." This landmark film redefined cinema and became a cult classic. Appearing in this and many of Waters's early films, his star Divine would consistently challenge gender definitions.

With "Polyester," Waters entered the mainstream. The film starred Divine as an unhappy housewife who romances a former teen idol played by Tab Hunter. Waters's commercial breakthrough, "Hairspray," told the story of Baltimore's televised sock-hop program, "The Corny Collins Show," and how one brave girl (Ricki Lake) used her platform as a dancer to end segregation in her town.

From "Serial Mom" and "Pecker" to "Cecil B. Demented," Waters continued to infiltrate the mainstream with his unique approach to filmmaking. As a visual artist, he was given a retrospective at the New Museum of Contemporary Art in 2004, which was shown at galleries around the world.


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Product Description

The films of John Waters (b. 1946) are some of the most powerful send-ups of conventional film forms and expectations since Luis Bu-uel and Salvador Dali's "Un Chien Andalou." In attempting to reinvigorate the experience of movie-going with his shock comedy, Waters has been willing to take the chance of offending nearly everyone. His characters have great dignity and resourcefulness, taking what's different or unacceptable or grotesque about themselves, heightening it and turning it into a handmade personal style. The interviews collected here span Waters's career from 1965 to 2010 and include a new one exclusive to this edition.

Waters began making films in his hometown of Baltimore in 1964. Demonstrating an innate talent at capturing the hideous and crude and elevating it to art, he reached international acclaim with his outrageous shock comedy "Pink Flamingos." This landmark film redefined cinema and became a cult classic. Appearing in this and many of Waters's early films, his star Divine would consistently challenge gender definitions.

With "Polyester," Waters entered the mainstream. The film starred Divine as an unhappy housewife who romances a former teen idol played by Tab Hunter. Waters's commercial breakthrough, "Hairspray," told the story of Baltimore's televised sock-hop program, "The Corny Collins Show," and how one brave girl (Ricki Lake) used her platform as a dancer to end segregation in her town.

From "Serial Mom" and "Pecker" to "Cecil B. Demented," Waters continued to infiltrate the mainstream with his unique approach to filmmaking. As a visual artist, he was given a retrospective at the New Museum of Contemporary Art in 2004, which was shown at galleries around the world.

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Product Details

General

Imprint

University Press Of Mississippi

Country of origin

United States

Series

Conversations with Filmmakers Series

Release date

September 2011

Availability

Supplier out of stock. If you add this item to your wish list we will let you know when it becomes available.

First published

September 2011

Editors

Dimensions

229 x 152 x 25mm (L x W x T)

Format

Hardcover - Paper over boards

Pages

224

ISBN-13

978-1-61703-180-9

Barcode

9781617031809

Categories

LSN

1-61703-180-1



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