This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1859 edition. Excerpt: ...as Ariosto and other Venetian poets treat us to a ludicrous episode in the midst of a serious narrative."--See "Reynolds and his Works," p. 222. Opposite is--' St. Anthony tempted by the Devil and some handsome Women; N. S. descending to succour him, ' by Tintoret. A good picture. The upper part of the saint, the same colour as the ground. Christ descending comes dark on the light ground; his legs, &c., are lost in the dark sky. The Great Altar--A most sumptuous ' Slaughter of the Innocents.' A deal of merit, but the subject does not require so much magnificence.1 Near this church is thel Casa Toffetti, ' painted in fresco by Tintoret, with friezes of boys and naked figures, admirably drawn and coloured. Below, Aurora and Titan; on the other side, ' Cybele in a Car.' This is esteemed the best fresco in Venice; (it is) much damaged. Prints of these two last by Lovisa..S. Maria Maggiore. High Altar--An ' Assumption, ' by Paolo. The principal light is very strong. A kneeling figure in the middle of the picture, his back towards you--a white loose drapery on him. On the side, the ' Visit of the Wise Kings, ' by Tintoret. In the chapel, on the left, the fine' St. John Baptist, ' by Titian.2 In perfect preservation, and admirably drawn and coloured. The flesh on a blue sky, with white clouds; the breast forms the principal mass of light; the mass of the face separated by a black beard; the thigh, by the skin he holds in his hand; the legs of a low tint; the right thigh quite lost; shadow of the drapery ditto; veins marked, but not blue, have the same effect as those in the Laocoon. The whole finely drawn. The lamb another mass; the white clouds, another; waterfall, another; scarce anything seen but the white of the waterfall;...