The New York Composers' Forum Concerts, 1935-1940 (Hardcover, New)


The first detailed narrative of the Composers' Forum, documenting the vast array of composers, musical styles, ideologies, and audience responses in New York in the 1930s. The New York Composers' Forum was a weekly series of new-music concerts sponsored by the Federal Music Project and Works Progress Administration. It showcased the music of modern American composers such as Aaron Copland, Amy Beach, Henry Cowell, and Ruth Crawford Seeger, and included question-and-answer sessions between the composers and audiences. These sessions led to discussions, arguments, and sometimes even riots, all documented in nearly complete transcripts. This book is the first to tell the story of the Composers' Forum. Following the fascinating threads of dialogue from the transcripts, Melissa de Graaf explores the remarkable diversity of composers and musical styles represented, including numerous composers who have since been ignored or forgotten. She also examines the composers' and listeners' attitudes toward modernism, politics, gender, race, and American identity. In this important study of a unique and overlooked American institution, de Graaf shows that "modern" aesthetics in the 1930s comprised far more diverse styles and thought than we imagine today. Melissa J. de Graaf is Associate Professor ofMusicology at the University of Miami.

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Product Description

The first detailed narrative of the Composers' Forum, documenting the vast array of composers, musical styles, ideologies, and audience responses in New York in the 1930s. The New York Composers' Forum was a weekly series of new-music concerts sponsored by the Federal Music Project and Works Progress Administration. It showcased the music of modern American composers such as Aaron Copland, Amy Beach, Henry Cowell, and Ruth Crawford Seeger, and included question-and-answer sessions between the composers and audiences. These sessions led to discussions, arguments, and sometimes even riots, all documented in nearly complete transcripts. This book is the first to tell the story of the Composers' Forum. Following the fascinating threads of dialogue from the transcripts, Melissa de Graaf explores the remarkable diversity of composers and musical styles represented, including numerous composers who have since been ignored or forgotten. She also examines the composers' and listeners' attitudes toward modernism, politics, gender, race, and American identity. In this important study of a unique and overlooked American institution, de Graaf shows that "modern" aesthetics in the 1930s comprised far more diverse styles and thought than we imagine today. Melissa J. de Graaf is Associate Professor ofMusicology at the University of Miami.

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Product Details

General

Imprint

University of Rochester Press

Country of origin

United States

Series

Eastman Studies in Music

Release date

November 2013

Availability

Expected to ship within 7 - 13 working days

First published

2013

Authors

Dimensions

229 x 152 x 29mm (L x W x T)

Format

Hardcover - Cloth over boards

Pages

302

Edition

New

ISBN-13

978-1-58046-426-0

Barcode

9781580464260

Languages

value

Subtitles

value

Categories

LSN

1-58046-426-2



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