Early Jugoslav Literature; (1000-1800) Volume 1 (Paperback)


This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1922 edition. Excerpt: ... OF THE I5TH CENTURY I One of the precursors of the Ragusan poets was SiSko Mencetic (1457-1527). He had an especial talent for composing those love songs which the troubadours and their joglars brought to the world. The Provencal school had declined since the end of the 13th century, but its influence reigned for a long time in the palace of Alphonse V at Milan, where that king spent his exile. In Italy Petrarch was the most illustrious representative of this conventional lyricism, and he had many imitators. As has been pointed out, Ragusa had too extended a commerce and too intimate relationships with distant countries to remain untouched by foreign customs and civilizations. Provencal poetry was not slow in penetrating there. Jagid by a comparison of the poems of Petrarch and his disciples (Petrarchists) with those of the Dalmatian writers has shown the influence which the poetic theory of love has exerted upon the Dubrovnik school, the theory as conceived by the Provencal singers.1 In the writings of Mencetic love is a subject which occurs again and again, and his Pesni Juvezne (Love Poems) form a veritable "Slavonic Canzoniere," in the Provencal-1 talo-Castilian style. The prevailing characteristics of these poems are exaggeration and hyperbolism in emotion and expression. The poet sometimes repeats the same idea varied by allusions and wit, giving to his verses a gem-like form, as an acrostic of his name or the names of his heroines. The motifs of his chansons aVamour are taken from Petrarch, whom he greatly admired, and very often one can find entire stanzas translated from him. The verse is Alexandrine, with rhyme on the caesura, and contains twelve syllables. The contemporary and coadjutor of Mencetid was Dore Dr2id (d. 1510)....

R278

Or split into 4x interest-free payments of 25% on orders over R50
Learn more

Discovery Miles2780
Delivery AdviceOut of stock

Toggle WishListAdd to wish list
Review this Item

Product Description

This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1922 edition. Excerpt: ... OF THE I5TH CENTURY I One of the precursors of the Ragusan poets was SiSko Mencetic (1457-1527). He had an especial talent for composing those love songs which the troubadours and their joglars brought to the world. The Provencal school had declined since the end of the 13th century, but its influence reigned for a long time in the palace of Alphonse V at Milan, where that king spent his exile. In Italy Petrarch was the most illustrious representative of this conventional lyricism, and he had many imitators. As has been pointed out, Ragusa had too extended a commerce and too intimate relationships with distant countries to remain untouched by foreign customs and civilizations. Provencal poetry was not slow in penetrating there. Jagid by a comparison of the poems of Petrarch and his disciples (Petrarchists) with those of the Dalmatian writers has shown the influence which the poetic theory of love has exerted upon the Dubrovnik school, the theory as conceived by the Provencal singers.1 In the writings of Mencetic love is a subject which occurs again and again, and his Pesni Juvezne (Love Poems) form a veritable "Slavonic Canzoniere," in the Provencal-1 talo-Castilian style. The prevailing characteristics of these poems are exaggeration and hyperbolism in emotion and expression. The poet sometimes repeats the same idea varied by allusions and wit, giving to his verses a gem-like form, as an acrostic of his name or the names of his heroines. The motifs of his chansons aVamour are taken from Petrarch, whom he greatly admired, and very often one can find entire stanzas translated from him. The verse is Alexandrine, with rhyme on the caesura, and contains twelve syllables. The contemporary and coadjutor of Mencetid was Dore Dr2id (d. 1510)....

Customer Reviews

No reviews or ratings yet - be the first to create one!

Product Details

General

Imprint

Rarebooksclub.com

Country of origin

United States

Release date

September 2013

Availability

Supplier out of stock. If you add this item to your wish list we will let you know when it becomes available.

First published

September 2013

Authors

Dimensions

246 x 189 x 2mm (L x W x T)

Format

Paperback - Trade

Pages

30

ISBN-13

978-1-230-12955-6

Barcode

9781230129556

Categories

LSN

1-230-12955-3



Trending On Loot