A Catalogue of the Pictures, Sculptures, Models, Drawings, Prints, &c. Exhibited by the Society of Artists of Great-Britain, at the Great Room in Spring-Garden, Charing-Cross, May the 9th, 1761. (Being the Second Year of Their Exhibition.) (Paperback)


The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT028776A Martial quotation is on the titlepage. P. 3] has no engraved headpiece, and Mr. Attwood has in his name three exhibits on the same page. The plates were designed by Hogarth, and have no legends. London, 1761]. 20p., plates; 4

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Product Description

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT028776A Martial quotation is on the titlepage. P. 3] has no engraved headpiece, and Mr. Attwood has in his name three exhibits on the same page. The plates were designed by Hogarth, and have no legends. London, 1761]. 20p., plates; 4

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Product Details

General

Imprint

Gale Ecco, Print Editions

Country of origin

United States

Release date

June 2010

Availability

Supplier out of stock. If you add this item to your wish list we will let you know when it becomes available.

First published

June 2010

Authors

Dimensions

246 x 189 x 2mm (L x W x T)

Format

Paperback - Trade

Pages

30

ISBN-13

978-1-170-07355-1

Barcode

9781170073551

Categories

LSN

1-170-07355-7



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