The first broadcast came in 1972, while Mahon-modified machines were still strictly classified, and the world had heard only rumors about them. The first broadcast was picked up by a television ham in Osceola, Florida, who fumingly reported artificial interference on the amateur TV bands. He heard and taped it for ten minutes--so he said--before it blew out his receiver. When he replaced the broken element, the broadcast was gone.
But the Communications Commission looked at and listened to the tape and practically went through the ceiling. It stationed a monitor truck in Osceola for months, listening feverishly to nothing.
Then for a long while there were rumors of broadcasts which blew out receiving apparatus, but nothing definite. Weird patterns appeared on screens high-pitched or deep-bass notes sounded--and the receiver went out of operation. After the ham operator in Osceola, nobody else got more than a second or two of the weird interference before blowing his set during six very full months of CC agitation.
Then a TV station in Seattle abruptly broadcast interference superimposed on its regular network program. The screens of all sets tuned to that program suddenly showed exotic, curiously curved, meaningless patterns on top of a commercial spectacular broadcast. . . .
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The first broadcast came in 1972, while Mahon-modified machines were still strictly classified, and the world had heard only rumors about them. The first broadcast was picked up by a television ham in Osceola, Florida, who fumingly reported artificial interference on the amateur TV bands. He heard and taped it for ten minutes--so he said--before it blew out his receiver. When he replaced the broken element, the broadcast was gone.
But the Communications Commission looked at and listened to the tape and practically went through the ceiling. It stationed a monitor truck in Osceola for months, listening feverishly to nothing.
Then for a long while there were rumors of broadcasts which blew out receiving apparatus, but nothing definite. Weird patterns appeared on screens high-pitched or deep-bass notes sounded--and the receiver went out of operation. After the ham operator in Osceola, nobody else got more than a second or two of the weird interference before blowing his set during six very full months of CC agitation.
Then a TV station in Seattle abruptly broadcast interference superimposed on its regular network program. The screens of all sets tuned to that program suddenly showed exotic, curiously curved, meaningless patterns on top of a commercial spectacular broadcast. . . .
Imprint | Aegypan |
Country of origin | United States |
Release date | August 2011 |
Availability | Supplier out of stock. If you add this item to your wish list we will let you know when it becomes available. |
First published | August 2011 |
Authors | Murray Leinster |
Dimensions | 229 x 152 x 8mm (L x W x T) |
Format | Hardcover - Sewn / Cloth over boards |
Pages | 60 |
ISBN-13 | 978-1-4638-9809-0 |
Barcode | 9781463898090 |
Categories | |
LSN | 1-4638-9809-6 |