Contents:
Editors' Introduction. Abstract Polyphonies: The Music of Schoenberg's Nietzschean Moment,
William Benjamin. Arnold Schoenberg as Poet and Librettist: Dualism, Epiphany, and Die Jakobsleiter,
David Schroeder. Androgyny and the Eternal Feminine in Schoenberg's Oratorio Die Jakobsleiter
Jennifer Shaw. Von heute auf morgen: Schoenberg as Social Critic,
Stephen Davison. Schoenberg in Shirtsleeves: The Male Choruses, Op. 35,
Robert Falck. The Prophet and the Pitchman: Dramatic Structure and Its Musical Elucidation in Moses und Aron, Act I, Scene 2,
Edward Latham. Schoenberg's Moses und Aron: A Vanishing Biblical Nation, Bluma Goldstein. Schoenberg Rewrites His Will: A Survivor from Warsaw, Op. 46,
David Isadore Lieberman. Texts and Contexts of A Survivor from Warsaw, Op. 46,
Camille Crittenden. Returning to a Homeland: Religion and Political Context in Schoenberg's Dreimal tausend Jahre,
Naomi Andr. Schoenberg's Modern Psalm, Op.50c, and the Unattainable Ending,
Mark Risinger