Several Letters Between Two Ladies - Wherein the Lawfulness and Unlawfulness of Artificial Beauty in Point of Conscience, Are Nicely Debated. ... (Paperback)


The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT112490Attributed to John Gauden. Also sometimes attributed to Jeremy Taylor and to Obadiah Walker. Editor's epistle dedicatory signed: C.G. A reissue, with a cancel titlepage, of: 'A discourse of artificial beauty', London, 1692, first published in 1656 as 'London: printed, and sold by Tho. Ballard, 1701. 24],238, 2]p.: ill.; 12

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The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT112490Attributed to John Gauden. Also sometimes attributed to Jeremy Taylor and to Obadiah Walker. Editor's epistle dedicatory signed: C.G. A reissue, with a cancel titlepage, of: 'A discourse of artificial beauty', London, 1692, first published in 1656 as 'London: printed, and sold by Tho. Ballard, 1701. 24],238, 2]p.: ill.; 12

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Product Details

General

Imprint

Gale Ecco, Print Editions

Country of origin

United States

Release date

May 2010

Availability

Expected to ship within 10 - 15 working days

Authors

Dimensions

189 x 246 x 14mm (L x W x T)

Format

Paperback

Pages

272

ISBN-13

978-1-140-68914-0

Barcode

9781140689140

Categories

LSN

1-140-68914-2



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