The Repeating Image - Multiples in French Painting from David to Matisse (Hardcover)

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An authoritative and elegant study of the theme of repetition in early modern painting Today serial imagery dominates all forms of visual media, from advertising to conceptual sculpture. In this innovative project, the authors show that the phenomenon of repetition appears as a radical element in early modern painting, long before its embrace by 20th-century high modernism. In works by Ingres, Delaroche, Gerome, Corot, Millet, Monet, Cezanne, Degas, and Matisse, the reader can compare closely related versions of some of the most familiar imagery of the 19th and early 20th centuries. By making multiples of closely related subject matter in their paintings, the authors argue, these painters challenged an aesthetic based on the notion of an inimitable, unique masterpiece. Through beautiful illustrations and essays by leading scholars, this book ultimately shows how the 19th-century invention of photography and film-with their intrinsic attributes of repetition-did not diminish the traditional medium of painting but rather propelled it in new directions. Distributed for the Walters Art Museum Exhibition Schedule: Baltimore (October 7, 2007-January 1, 2008) Phoenix Art Museum (January 20-May 4, 2008)

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Product Description

An authoritative and elegant study of the theme of repetition in early modern painting Today serial imagery dominates all forms of visual media, from advertising to conceptual sculpture. In this innovative project, the authors show that the phenomenon of repetition appears as a radical element in early modern painting, long before its embrace by 20th-century high modernism. In works by Ingres, Delaroche, Gerome, Corot, Millet, Monet, Cezanne, Degas, and Matisse, the reader can compare closely related versions of some of the most familiar imagery of the 19th and early 20th centuries. By making multiples of closely related subject matter in their paintings, the authors argue, these painters challenged an aesthetic based on the notion of an inimitable, unique masterpiece. Through beautiful illustrations and essays by leading scholars, this book ultimately shows how the 19th-century invention of photography and film-with their intrinsic attributes of repetition-did not diminish the traditional medium of painting but rather propelled it in new directions. Distributed for the Walters Art Museum Exhibition Schedule: Baltimore (October 7, 2007-January 1, 2008) Phoenix Art Museum (January 20-May 4, 2008)

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Product Details

General

Imprint

Yale University Press

Country of origin

United States

Release date

November 2007

Availability

Expected to ship within 12 - 17 working days

First published

November 2007

Editors

Authors

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Dimensions

254 x 203 x 23mm (L x W x T)

Format

Hardcover - Cloth over boards

Pages

200

ISBN-13

978-0-300-12669-3

Barcode

9780300126693

Categories

LSN

0-300-12669-7



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