Anecdotes of Great Musicians; Three Hundred Anecdotes and Biographical Sketches of Famous Composers and Performers (Paperback)


This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1905 edition. Excerpt: ... 299.--LISZT--THALBERG. Leaving the rivalries of vocalists with a number of incidents entirely out of proportion to the frequency of such animosities, we will cite one casein the ranks of the instrumentalists which was remarkable not only for the intensity of the partisanship it inspired, but for the artistic interests and principles it involved. We refer to the contest that took place in Paris, in 1836, between the pianists, Thalberg and Liszt. Prior to this time, Liszt had been undisputed master of the pianistic world. We have not the space to dilate on his wonderful career further than to say that it reads like a romance of the imagination. He had seen all Europe at his feet and had retired to Geneva for rest and study, when there came the word that a new star had appeared in the firmament, and wonderful tales were told of this mighty rival. And truly, Sigismond Thalberg, the son of an Austrian prince, was a rival not to be despised. He was highly talented and every advantage of education was his. Liszt recognized in him a formidable antagonist, and hastened back to Paris to defend his title of "King of Pianists." Quickly the mercurial Parisian public was arrayed on one side or the other. To be neither a Lisztian nor a Thalbergian was to admit that one had no standing whatever in society. Thalberg's playing was the acme of elegance and grace. In velvety smoothness he was held to be the superior of his fiery antagonist. On the other hand Liszt was full of brilliancy and startling effect. Schumann said that Thalberg's playing "kept him in a tension of expectancy, not on account of the platitudes which were sure to come, but on account of the profound manner of their preparation. He deceives one by brilliant hand and finger work in order...

R488

Or split into 4x interest-free payments of 25% on orders over R50
Learn more

Discovery Miles4880
Free Delivery
Delivery AdviceOut of stock

Toggle WishListAdd to wish list
Review this Item

Product Description

This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1905 edition. Excerpt: ... 299.--LISZT--THALBERG. Leaving the rivalries of vocalists with a number of incidents entirely out of proportion to the frequency of such animosities, we will cite one casein the ranks of the instrumentalists which was remarkable not only for the intensity of the partisanship it inspired, but for the artistic interests and principles it involved. We refer to the contest that took place in Paris, in 1836, between the pianists, Thalberg and Liszt. Prior to this time, Liszt had been undisputed master of the pianistic world. We have not the space to dilate on his wonderful career further than to say that it reads like a romance of the imagination. He had seen all Europe at his feet and had retired to Geneva for rest and study, when there came the word that a new star had appeared in the firmament, and wonderful tales were told of this mighty rival. And truly, Sigismond Thalberg, the son of an Austrian prince, was a rival not to be despised. He was highly talented and every advantage of education was his. Liszt recognized in him a formidable antagonist, and hastened back to Paris to defend his title of "King of Pianists." Quickly the mercurial Parisian public was arrayed on one side or the other. To be neither a Lisztian nor a Thalbergian was to admit that one had no standing whatever in society. Thalberg's playing was the acme of elegance and grace. In velvety smoothness he was held to be the superior of his fiery antagonist. On the other hand Liszt was full of brilliancy and startling effect. Schumann said that Thalberg's playing "kept him in a tension of expectancy, not on account of the platitudes which were sure to come, but on account of the profound manner of their preparation. He deceives one by brilliant hand and finger work in order...

Customer Reviews

No reviews or ratings yet - be the first to create one!

Product Details

General

Imprint

Theclassics.Us

Country of origin

United States

Release date

September 2013

Availability

Supplier out of stock. If you add this item to your wish list we will let you know when it becomes available.

First published

September 2013

Authors

Dimensions

246 x 189 x 5mm (L x W x T)

Format

Paperback - Trade

Pages

90

ISBN-13

978-1-230-35428-6

Barcode

9781230354286

Categories

LSN

1-230-35428-X



Trending On Loot