All 24 episodes from the first three series of the TV drama starring Matthew Macfadyen as a detective trying to maintain the law on the streets of Whitechapel in the wake of the Jack the Ripper murders. Following the notorious killings, H Division's Detective Inspector Edmund Reid (Macfadyen), aided by the hard-boiled Sergeant Bennett Drake (Jerome Flynn) and American forensics expert Captain Homer Jackson (Adam Rothenberg), has his hands full trying to keep the streets safe from others only too willing to fill the void. Series 1 episodes are: 'I Need Light', 'In My Protection', 'The King Came Calling', 'The Good of This City', 'The Weight of One Man's Heart', 'Tournament of Shadows', 'A Man of My Company' and 'What Use Our Work?'. Series 2 episodes are: 'Pure As the Driven', 'Am I Not Monstrous?', 'Become Man', 'Dynamite and a Woman', 'Threads of Silk and Gold', 'A Stronger Loving World', 'Our Betrayal: Part One' and 'Our Betrayal: Part Two'. Series 3 episodes are: 'Whitechapel Terminus', 'The Beating of Her Wings', 'Ashes and Diamonds', 'Your Father, My Friend', 'Heavy Boots', 'The Incontrovertible Truth', 'Live Free, Live True' and 'The Peace of Edmund Reid'.

In 1964 Lucian Freud set his students at the Norwich College of Art an assignment: to paint naked self-portraits and to make them 'revealing, telling, believable... really shameless'. It was advice that the artist was often to follow himself. Visceral, unflinching and often nude, Freud's self-portraits give us an insight into the development of his style as a painter. The works provide the viewer with a constant reminder of the artist's overwhelming presence, whether he is confronting the viewer directly or only present as a shadow or in a reflection. Essays by leading authorities - including those who knew him well - explore Freud's life and work, and analyse the importance of self-portraiture in his practice and the intensity that he maintained when studying his own.

During the last forty years, South-West England has been the focus of some of the most significant work on the early modern house and household in Britain. Its remarkable wealth of vernacular buildings has been the object of much attention, while the area has also seen productive excavations of early modern household goods, shedding new light on domestic history. This collection of papers, written by many of the leading specialists in these fields, presents a number of essays summarizing the overall understanding of particular themes and places, alongside case studies which publish some of the most remarkable discoveries. They include the extraordinary survival of wall-hangings in a South Devon farm, the discovery of painted rooms in an Elizabethan town house, and a study of a table-setting mirrored on its ceiling. Also considered are forms of decoration which seem specific to particular areas of the West Country houses. Taken together, the papers offer a holistic view of the household in the early modern period. John Allan is Consultant Archaeologist to the Dean & Chapter of Exeter Cathedral; Nat Alcock is Emeritus Reader in the Department of Chemistry, University of Warwick; David Dawson is an independent archaeologist and museum and heritage consultant. Contributors: Ann Adams, Nat Alcock, John Allan, James Ayres, Stuart Blaylock, Peter Brears, Tania Manuel Casimiro, Cynthia Cramp, Christopher Green, Oliver Kent, Kate Osborne, Richard Parker, Isabel Richardson, John Schofield, Eddie Sinclair, John R.L. Thorp, Hugh Wilmott,

All 24 episodes from the first three series of the TV drama starring Matthew Macfadyen as a detective trying to maintain the law on the streets of Whitechapel in the wake of the Jack the Ripper murders. Following the notorious killings, H Division's Detective Inspector Edmund Reid (Macfadyen), aided by the hard-boiled Sergeant Bennett Drake (Jerome Flynn) and American forensics expert Captain Homer Jackson (Adam Rothenberg), has his hands full trying to keep the streets safe from others only too willing to fill the void. Series 1 episodes are: 'I Need Light', 'In My Protection', 'The King Came Calling', 'The Good of This City', 'The Weight of One Man's Heart', 'Tournament of Shadows', 'A Man of My Company' and 'What Use Our Work?'. Series 2 episodes are: 'Pure As the Driven', 'Am I Not Monstrous?', 'Become Man', 'Dynamite and a Woman', 'Threads of Silk and Gold', 'A Stronger Loving World', 'Our Betrayal: Part One' and 'Our Betrayal: Part Two'. Series 3 episodes are: 'Whitechapel Terminus', 'The Beating of Her Wings', 'Ashes and Diamonds', 'Your Father, My Friend', 'Heavy Boots', 'The Incontrovertible Truth', 'Live Free, Live True' and 'The Peace of Edmund Reid'.

Phil Grabsky directs this documentary offering insight into Chopin's life and career with performances of his works and interviews with experts. Narrated by Juliet Stevenson, the film features contributions from, among others, Daniel Barenboim, Lars Vogt, Ronald Brautigam and Leif Ove Andsnes, while the composer's letters are read by David Dawson.

Mechatronics as a discipline has an ever growing impact on engineering and engineering education as a defining approach to the design, development, and operation of an increasingly wide range of engineering systems. The increasing scope and complexity of mechatronic systems means that their design and development now involve not only the technical aspects of its core disciplines, but also aspects of organization, training, and management. Mechatronics and the Design of Intelligent Machines and Systems reflects the significant areas of development in mechatronics and focuses on the higher-level approaches needed to support the design and implementation of mechatronic systems. Throughout the book, the authors emphasize the importance of systems integration. Each chapter deals with a particular aspect of the design and development process, from the specification of the system to software design and from the human-machine interface to the requirements for safe operation and effective manufacture. Notable among this text's many features is the use of a running case study-the autonomous and robotic excavator LUCIE-to illustrate points made in various chapters. This, combined with the authors' clear prose, systematic organization, and generous use of examples and illustrations provides students with a firm understanding of mechatronics as a discipline, some of the problems encountered in its various areas, and the developing techniques used to solve those problems.

A breathtaking visual biography of Freud, told through his own words, unpublished private photographs, and painted portraits This unprecedented look at the private life of Lucian Freud begins with childhood snapshots and ends with rarely seen photographs made in his studio in the last weeks of his life. In between, the life of one of the most important artists of the twentieth and twenty-first centuries is vividly documented - through family photos, in images of the painter in his studio with some of his most celebrated sitters, and in portraits by his peers, first among them Francis Bacon.

Intimate portraits from one of the most innovative figurative artists of the twentieth century and the master of painted flesh. Curated by the artist's longtime studio assistant and friend, David Dawson, this important volume features twenty major and rarely seen paintings by Lucian Freud (1922-2011). The book begins with works from 1990, when Freud began painting the performance artist Leigh Bowery: these large-scale portraits of Bowery ushered in a new sense of monumentality in the artist's oeuvre. Inspired by Bowery's impressive physique, Freud began working on a larger scale, which emphasized the physical presence of his subjects. Despite their grand scale, Freud's subjects are still depicted with a sense of intimacy, penetrating honesty, and psychological depth. The naked body is a subject that has special significance in Freud's oeuvre. Nakedness was a way for Freud to get a more truthful portrait. Freud's probing oils get fresh consideration in this monograph and Dawson provides insights and stories about Freud working on these portraits, giving an intriguing behind-the-scenes look at the life of a contemporary master of representational art.

A collection of 230 hymns, with music, drawn from a wide range of liberal religious sources, all written in the 20th or 21st century; many were composed by Unitarian and Unitarian Universalist writers, often drawing their imagery from other faith traditions. The collection includes songs for blessing partnerships and relationships. The compilers have drawn on a wide range of musical styles, using keys in keeping with current group vocal range.

With more than 480 illustrations, this is the most comprehensive publication to date on one of the greatest painters of the twentieth and early twenty-first centuries, Lucian Freud

Created in collaboration with the Lucian Freud Archive and David Dawson, Director of the Archive, and edited by Mark Holborn, this sumptuous, two-volume, slipcased publication celebrates Freud's work from the 1930s to his death in 2011, and includes hundreds of paintings, drawings and sketches, and etchings - even illustrated private letters. Nearly all the artworks included have been newly photographed by celebrated British photographer John Riddy.

This is both a vital contribution to art scholarship and a gorgeous addition to the bookshelves of art lovers around the world.

Published by Phaidon, the global publisher of books on art, architecture, photography, design, performing arts, decorative arts, fashion, film, travel, and contemporary culture, as well as cookbooks and children's books.

Allegorical readings of literary or religious texts always begin as counterreadings, starting with denial of negation, challenging the literal sense: "You have read the text this way, but I will read it differently". The author insists that ancient allegory is best understood not simply as a way of reading texts, but as a way of using non-literal readings to reinterpret culture and society. Here he describes how some ancient pagan, Jewish and Christian interpreters used allegory to endorse, revise and subvert competing Christian and pagan world views. This reassessment of allegorical reading emphasized socio-cultural contexts rather than purely formal literary features, opening with an analysis of the pagan use of etymology and allegory in the Hellenistic world and pagan opposition to both techniques. The remainder of the book presents three Hellenistic religious writers who each typify distinctive models of allegorical interpretation: the Jewish exegete Philo, the Christian Gnostic Valentinus and the Christian Platonist Clement. The study engages issues in the fields of classics, history of Christianity and Hellenistic Judaism, literary criticism and theory and more broadly, criti

Widely used in British congregations, this British Unitarian and Free Christian hymn book contains lyrics and hymn tunes. (Christian)

All eight episodes from the second season of the historical BBC drama centred around the wars between the Saxons and Danes during the ninth century. Alexander Dreymon stars as the warrior Uhtred of Bebbanburg, the son of a Saxon nobleman who was captured by the Danes as a child and raised as one of their own. In this season, Uhtred travels north from Wessex in his bid to avenge the death of Earl Ragnar (Tobias Santelmann) and recapture his ancestral lands of Bebbanburg. Meanwhile, King Alfred (David Dawson) looks to unite the kingdoms of England and hopes a new king can fulfil his wish. However, with his preferred choice enslaved, Uhtred is forced to embark on a dangerous rescue mission which sees him come up against a feared adversary from his past.

Lucian Freud is not only the most celebrated artist working in England, but one of the most private. He has frequently stated his reluctance to be photographed and he has almost never agreed to be interviewed. Following the publication of the last ten years of his work by Jonathan Cape in the autumn of 2005, the painter has agreed to talk to Sebastian Smee, a writer on art whom he greatly respects, in a series of conversations rather than formal interviews. He wants to talk about painting itself, the demands of his own work and the painters he admires. Two photographers have had access to Freud's studio. The late Bruce Bernard was a friend for many years and the subject of two of Freud's paintings. Bernard was an authority on photography, a great picture editor, and also a very fine photographer. He made a number of studies of Freud at work. Over the last five years in particular, Freud's assistant, the painter David Dawson, has been photographing the artist constantly. The results reveal various stages of works in progress, including paintings of Dawson himself, and the intensity of the activity in this very secret domain. The only precedent to such a document might be David Douglas Duncan's photographs of Picasso at work, but nothing as extensive has been published on such a major painter before.

This book makes an illuminating contribution to one of Christianity's central problems: the understanding and interpretation of scripture, and more specifically, the relationship between the Old Testament and the New. John David Dawson analyzes the practice and theory of "figural" reading in the Christian tradition of Biblical interpretation by looking at writings of Jewish and Christian thinkers, both ancient and modern, who have reflected on that form of traditional Christian Biblical interpretation. Dawson argues Christian interpretation of Hebrew scripture originally was, and should be, aimed at not reducing the Jewish meaning or replacing it but rather at building on it or carrying on from it.
Dawson closely examines the work of three prominent twentieth-century thinkers who have offered influential variants of figural reading: Biblical scholar Daniel Boyarin, philologist and literary historian Erich Auerbach, and Christian theologianHans Frei. Contrasting the interpretive programs of these modern thinkers to that of Origen of Alexandria, Dawson proposes that Origen exemplifies a kind of Christian reading that can respect Christianity's link to Judaism while also respecting the independent religious identity of Jews. Through a fresh study of Origen's allegorical interpretation, this book challenges the common charge that Christian non-literal reading of scripture necessarily undermines the literal meaning of the text.
This highly interdisciplinary work will advance debates about different methods of interpretation and about different types of textual meaning that are relevant for many disciplines, including ancient Christianity, Jewish and Christian thought, literary theory, religious studies, and classical studies.

All eight episodes from the third series of the TV drama starring Matthew Macfadyen as a detective trying to maintain the law on the streets of Whitechapel in the wake of the Jack the Ripper murders. Set in 1894, H Division's Detective Inspector Edmund Reid (Macfadyen), aided by the hard-boiled Sergeant Bennett Drake (Jerome Flynn) and American forensics expert Captain Homer Jackson (Adam Rothenberg), investigates more murders in Whitechapel including a serious train accident that claimed the lives of 55 civilians. Meanwhile, Reid's long-lost daughter Matilda (Anna Burnett), who was previously believed to have drowned, returns to reunite with her father. The episodes are: 'Whitechapel Terminus', 'The Beating of Her Wings', 'Ashes and Diamonds', 'Your Father, My Friend', 'Heavy Boots', 'The Incontrovertible Truth', 'Live Free, Live True' and 'The Peace of Edmund Reid'.